A Quote by Krzysztof Penderecki

I wrote 'Threnody,' then I wrote several works where I changed my music completely. — © Krzysztof Penderecki
I wrote 'Threnody,' then I wrote several works where I changed my music completely.
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
I wrote 'Yellow Submarine' for the Beatles. I wrote the screenplay for 'The Games,' about the Olympic Games. I wrote 'Love Story,' both the novel and the screenplay. I wrote 'RPM' for Stanley Kramer. Plus, I wrote two scholarly books and a 400-page translation from the Latin, and I dated June Wilkinson!
For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.
I don't think I wrote my first song until I was 25. And then everything I wrote ended up becoming my first album. I put my music online, and from that, things just happened.
There is a big difference between No. 1 and No. 2. I don't care who wrote it. I'd love to one day have a No. 1 that I wrote, but if that ain't in the cards, whatever. My job is right now is to make the best music I can and try to get it to the people, whether it be something that I wrote or not. It's my job to be the best I can for the fans.
Read this and thought of you: Through joy and through sorrow, I wrote. Through hunger and through thirst, I wrote. Through good report and through ill report, I wrote. Through sunshine and through moonshine, I wrote. What I wrote it is unnecessary to say. ~ Edgar Allen Poe
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
Within Klaxons, I never wrote the lyrics. I always wrote the melody and music with the other guys.
We wrote the songs we wrote - we took from our own experiences, melded it together, and wrote what became 'Appetite For Destruction.'
A guy named Peter Rabe wrote a batch of books for Gold Medal in the '50s, and he was absolutely the single largest influence on writing style. I was completely in love with the way the man wrote.
When we decided to marry, we had two ceremonies - one was more bureaucratic for the sake of the Swiss authorities,then a church service in Florence, and I wrote the music for the church service. The challenge in that was that Iman's [Abdulmajid] family are Muslim and mine are Protestant. I had to be careful about the prayers that we chose and the music I wrote because I didn't want to offend either side.
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