A Quote by Krzysztof Penderecki
In my own works I am an obsessionist. Though I write humorous music too, much of it has been obsessed by death and the tragic.
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There has been too much silliness and cliche when looking at older people: I think that hides a fear of death that we have as a society. We are obsessed with youth and denying death.
Madness is not what it seems. Time stops. All my life I've been obsessed with time, its motion and velocity, the way it works you over, the way it rushes you onward, a pebble turning in a brook. I've always been obsessed with where I'd go, and what I'd do, and how I would live. I've always harbored a desperate hope that I would make something of myself. Not then. Time stopped seeming so much like the thing that would transform me into something worthwhile and began to be inseparable from death. I spent my time merely waiting.
Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.
Death is too much for men to bear, whereas women, who are practiced in bearing the deaths of men before their own and who are alsopracticed in bearing life, take death almost in stride. They go to meet death--that is, they attempt suicide--twice as often as men, though men are more "successful" because they use surer weapons, like guns.
I guess I see a part of myself in everyone I write about. I tend to write about kids who are obsessed with something, and even though I have never been good with machines the way Hugo is, I did love miniature things when I was a kid.
It's often pointed out that in Cuban cinema there are too many comedies, but a sense of humor is so much part of the Cuban idiosyncrasy. Curiously, the films that have been censored the most have been humorous.
You know Americans are obsessed with life and death and rebirth, that's the American Cycle. You know, awakening, tragic, horrible death and then Phoenix rising from the ashes. That's the American story, again and again.
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
The best thing to do when you're writing is to write about something you know instead of pretending. I mean, you can do that too, obviously, but when you write from your heart, it works so much better.
During my life I have seen, known, and lost too much to be the prey of vain dread; and, as for the hope of immortality, I am as weary of that as I am of gods and kings. For my own sake only I write this; and herein I differ from all other writers, past and to come.
I think I write mostly about death and so it is interesting to hear how often people think I'm writing about pregnancy and birth. Though of course they are two sides of the same coin. Both when I was pregnant and now as a mother, I am consumed with thoughts of death. This is a strange role in parenting. The death guardian.
Life is too transcendentally humorous for a man not to take it seriously. Compared with it, Death is but a shallow jest.
It's weird with making music - you can have no vibe while you're working on something and recognize that the music was special afterwards. And it happens to me while I am working on my own music, as well! One minute you hate it, and then a few years you're obsessed with a little beat you did, and the opposite.
God pity us indeed, for we are human, And do not always see, The vision when it comes, the shining change, Or, if we see it, do not follow it, Because it is too hard, too strange, too new, Too unbelievable, too difficult, Warring too much with common, easy ways, And now I know this, standing in this light, Who have been half alive these many years, Brooding on my own sorrow, my own pain, Saying "I am a barren bough. Expect, Nor fruit nor blossom from a barren bough."
The world is an infinitely fascinating, tragic and humorous place.
If I tried to write long-hand, I suppose I'd never finish a novel. I edit too much as I write - the paper would be "white-out" and sharpie marks. Writing with a computer works for me, so I stick with it.
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