A Quote by Krzysztof Penderecki
I used to do most of my composing at a little table in a cafe. Composing for 52 instruments, I had to figure out how to accommodate myself to the small table.
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This is how the world changes - little by little, table by table, meal by meal, hour by hour. This is how we chip away at isolation, loneliness, fear. This is how we connect, in big and small ways - we do it around the table.
I always tend to think that composing is not playing an instrument, composing is having something in your head that's steaming and it has to go out. It has to become sounds and be written. It's an emotion that you can't repress.
Composing a melody or a western song is easier than composing a commercial number.
Composing for concert performance is a somewhat lonely occupation, but composing a film score is highly collaborative.
We separated like oil and water. In the cafeteria, you'd see a table of black jocks, table of white jocks, table of rich white kids, table of Hispanic kids, table of Chinese kids, table of druggies, table of chatterboxes, and so on. Wait! There's a diverse table over there! With a few kids of different tenacities and economic status! Oh, that's the nerds. That's where I sat. We weren't cool enough for the other tables, so we didn't discriminate against anybody.
When I first became really interested in building furniture, I went to Toys-R-Us, and spent $200 on Transformers toys. By taking the toys apart and studying how they moved, I was able to figure out how to hide a table leaf, what type of contraption I'd need to slide it under the table. I'm a really visual learner.
I think of myself of a primitivist. I have never had any of these electronic instruments and I have never had the slightest interest in using them. I use the computer as a tool, simply because it makes composing a lot faster. But I don't go on stage with a computer and make a lot of goofy sounds.
Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.
There was a time in school where I was trying to figure out which lunch table I belonged to. Eventually, I started my own table and formed my own crew.
I was 7 years old when I began composing. I began composing, improvising at the piano, the usual story.
Like most boys, I had a model train set up in my bedroom, resting on a little-used ping-pong table upstairs.
Composing a concert is like composing a menu.... If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Châteaubriand and vegetables.
To invoke a Kierkegaardesque figure of speech, the beauty of the language of the Bible can be like a set of dentist's instruments nearly laid out on a table and hanging on a wall, intriguing in their technological complexity and with their stainless steel highly polished--until they set to work on the job for which they were originally designed. Then all of a sudden my reaction changes from "How shiny and beautiful they all are!" to "Get that damned thing out of my mouth!
The real test of your Christianity is not how pious you look at the Lord's table on Sunday, but how you act at the breakfast table at home. If it takes two cups of coffee to make you fit to live with, you had better go to the mourner's bench.
All of a sudden it hit me - if there was such a thing as composing music, there could be such a thing as composing motion. After all, there are melodic figures, why can't there be figures of motion?
Forced to define 'irrational subconscious,' I would say that it is a small padded room inside all of us, where the only furnishing is a small card table, and the only thing on the card table is a revolver loaded with flexible bullets.
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