A Quote by Ksenia Sobchak

I think in political life you can only know your position and stay in place, even though people always try to push you to one side. — © Ksenia Sobchak
I think in political life you can only know your position and stay in place, even though people always try to push you to one side.
I think most people are many-sided; you have your evil side, your happy side, your spaced-out side. You try to stay on the positive side more - I mean, I try to - but I think we all have those different faces of ourselves.
To 'know your place' is a good idea in politics. That is not to say 'stay in your place' or 'hang on to your place', because ambition or boredom may dictate upward or downward mobility, but a sense of place - a feel for one's own position in the control room-is useful in gauging what you should try to do.
Transformation Isn't easy when most of the people in your life think you're already perfect, and want you to stay just how they see you. Try to begin a new phase, you'd better expect push-back. Try to create a whole new you, your friend list will shrink considerably.
We always blame other people when things go wrong. For example, family to friends, you think they'll stay by your side, and you realise they never do. But that's life.
Publishing is the only industry I can think of where most of the employees spend most of their time stating with great self-assurance that they don't know how to do their jobs. "I don't know how to sell this," they explain, frowning, as though it's your fault. "I don't know how to package this. I don't know what the market is for this book. I don't know how we're going to draw attention to this." In most occupations, people try to hide their incompetence; only in publishing is it flaunted as though it were the chief qualification for the job.
Love won't be tampered with, love won't go away. Push it to one side and it creeps to the other. Throw it in the garbage and it springs up clean. Try to root it out and it only flourishes. Love is a weed, a dandelion that you poison from your heart. The taproots wait. The seeds blow off, ticklish, into a part of the yard you didn't spray. And one day, though you worked, though you prodded out each spiky leaf, you lift your eyes and dozens of fat golden faces bob in the grass.
You do not have to remain stuck in your grief forever when you realize that your loved ones who have passed continue on with you, side-by-side with you, in your lives, even though they have their own life going on across the veil.
My favourite position is in the midfield. I think I can play to my strengths there. I can communicate with every player. I'm more in the game, because as a right-back you have to stay on one side and you're not always in the game for 90 minutes. So I prefer the centre midfield position.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
Even successful musicians have had periods where people say they suck and no one likes them, even after they've had periods of great success. So I think it's like you just gotta do you and try to stay motivated. Until, you know, you decide to stay home and make spaghetti all day.
People will try to pull you down, but you need to fight the negativity in your life. It's always good to stay positive and think positive.
There is something I call social intelligence. You can do a lot in life on your own and you can do all kinds of stuff, but if you're really bad with people, if you're really naive or aggressive and push people away, if you don't know the political environment you're in, it invalidates all the things you know. You're not going to get anywhere.
Always listen to your heart, because even though its on your left side, its always right.
What's beautiful about the actual acting class environment is that you can use it to push through everything: push your voice, push your inhibitions, push your fears, push your confidence, push your vulnerability, push your silences.
Previously I always thought it was just tactical and technique, but every match has become almost mental and physical - I try to push myself to move well. I try to push myself not to get upset and stay positive, and that's what my biggest improvement is over all those years. Under pressure I can see things very clear.
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