A Quote by KT Tunstall
It was blazing sunshine and I went on in a turquoise neck muff, glamorous dress and muddy boots and just had the best gig, really emotional. I've had emails from people saying that they cried. They promised it wasn't the drugs.
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I really struggled with doing nine-to-five and just wanted to do something where it felt like I was in charge and I was doing something creative. I imagine if the first gig had gone badly I'd never have done it again. I imagine there's hundreds of people who could have been really great comedians and just had a bad first gig.
And then there was Tick. Brave little Tick, who had flown into the faces of an army of rats to save his baby sister. Tick - who never spoke much. Tick - who shared her food. Tick - who was after all just a roach. Just a roach who had given all the time she had left so that Boots could have more. Gregor pressed Boots's fingers against his lips and felt scalding tears begin to slide down his cheeks. He hadn't cried, not the whole time he'd been down here, and there had been plenty of bad stuff. But somehow Tick's sacrifice had crushed whatever thin shell remained between him and sorrow.
In the '70s, everybody thought drugs were just good times. People didn't really know about drug addiction, or that such a thing existed. When I grew up in the '70s I thought you had to take drugs. It was almost like I didn't think you had a choice.
I have known people throughout my years of playing where maybe they had a gig, but then lost the gig because they didn't really move forward with them.
As part of my job, I got malaria really badly and was put in intensive care, and I had a hallucination because they give you this cocktail of drugs to fix you so you don't die, and I had this hallucination that I was at the Oscars and I won and I was a really good actress, and it was so real that when I came out of the hospital, I started saying to people I'm going to become an actress.
I think the fact that my parents weren't conventional - especially considering their position - had a big influence on the way that I conduct myself now in design and business. It had a huge impact on my wanting to do something a bit more than just designing a pretty dress and putting it on a runway and making it glamorous.
I already had top 10 records before 'Sunshine Superman,' with 'Catch the Wind' and 'Colors,' but this was a real breakthrough for me. It was a consciousness change for songwriting, as people are now saying I initiated the psychedelic revolution with this album, 'Sunshine Superman.'
My signature look is an eighties baby doll dress, combat boots with colorful socks sticking out, and then mounds of jewelry. I love silver and turquoise. I go to Montana every winter, so I hunt around for cool pieces there.
There seems to be a consistency, in that people who have had access to the Iranian program - people who actually have had boots on the ground and have been able to investigate and inspect the program - have consistently been saying these things.
With the arrival of the refugees in 2015, it became impossible to ignore that the period of uninterrupted sunshine that Germany had enjoyed had come to an end. The vast problems of the 21st century are knocking on our door. That is also true of the dramatic changes that we can see globally, for example with Brexit and the election of Donald Trump. You can't win people over by saying nothing and biding your time, as Angela Merkel has tried to do. People want leadership - in the best sense of the term.
Last night, I had a telephone townhall for my constituents back in Vermont, and we had 11,500 people on it. And I had people on Social Security saying if getting fewer benefits will help us on the debt, they're for it. And I had a farmer saying that he's had subsidies for 35 years but we can't afford them anymore.
I remind you again we had those elections [in Afghanistan and Iraq] because we had boots on the ground and we had people that could help people, and we had people on the ground that could get into somebody's face when they had to, and do whatever was required.
As I got older, I had a bunch of friends that were various teen stars. I've always known people in the spotlight and people who just grew up in L.A. and had nothing to do with the industry. It's not a glamorous thing to me. It's just a different type of business.
I wanted to play blues. But I wasn't blue enough. I wasn't like Muddy Waters, people who really had it hard. In our house, we had food on the table. We were doing well compared to many. So I concentrated on this fun and frolic, these novelties.
I started dealing with my emotional pain by writing. I always had been a writer, but just not songs. Saying things on paper that I would never, ever say, and saying things to myself, admitting things to myself, about myself and my personality, just putting it on paper, is how I deal with emotional pain.
And still as an adult like I do as well, you know what I mean like I literally just cried in the first interview that I had today. Like, I'm just a very emotional human.
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