A Quote by KT Tunstall

Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.
The first time you have a little success, some good feedback, you start imagining having a career, or being a professional musician. But while being creative, or doing creative work, is very natural for humans, to think of that as your main occupation, that's a really important transition.
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
Copying isn’t particularly creative work. Being inspired by someone else’s idea to produce something new and different IS creative work.
It is a very frustrating thing to be the face of a creative project and yet essentially have zero creative control over that project. Essentially, you're a pawn in the system.
The highest prize we can receive for creative work is the joy of being creative. Creative effort spent for any other reason than the joy of being in that light filled space, love, god, whatever we want to call it, is lacking in integrity. . .
With Lady Gaga I really stretched myself as a creative director, and because I was with this artist from before she got signed I was able to really take control of the opportunity and execute as a creative director.
I enjoy acting because it is very different to songwriting and it allows me to flex a different creative muscle.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
TV is very much my first love. I love this world. It's where writers have the most creative control, and I just love that.
Essentially, it is the director who is the creative head of a film. The final authority on all decisions lies with the director. That is how it should be. And then other team members can give their creative inputs.
There isn't any great mystery about me. What I do is glamorous and has an awful lot of white-hot attention placed on it. But the actual work requires the same discipline and passion as any job you love doing, be it as a very good pipe fitter or a highly creative artist.
I pride myself in collaborating and being a creative director, and creative direction isn't putting my opinion first. It's supporting an artist so they get the most out of the project.
That's a hobby of mine - to do whatever I can for unusual for-hire creative projects. I am waiting for someone to really challenge me - obviously I'm often approached to do film related work, but I would be very happy to design a bar or an amusement park ride. I would love to be an imagineer!
You work so hard at something to make sure that it's very pure and very genuine and very steadfast to who you are, so creative control for me is a big one. Thankfully, I've been able to retain 98% of it which I never really expected, so I'm very grateful to be able to control what I can.
When I just write something, it's usually because I love it, I love the material, but I feel like I really need a creative partner to crack it. And I certainly need and have a lot of creative partners as a director.
As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.
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