A Quote by KT Tunstall
I lived in L.A. for a year when I was four - my dad was doing a sabbatical at UCLA - so it always remained quite a familiar place.
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My mom and dad met at UCLA when he as a captain in the Air Force and she was in her junior year.
To me, the contemporary novel suffers from a lack of sense of place - or spirit of place, if you will. It's not important to most writers, I must assume, or they try to research a given background on sabbatical. Not for me. I write about places I've lived long before I ever set pen to paper.
I hate to say anything that may hurt UCLA, but I can't be quiet when I see what the NCAA is doing to Jerry Tarkanian only because he has a reputation for giving a second chance to many black athletes other coaches have branded as troublemakers. The NCAA is working night and day trying to get Jerry, but no one from the NCAA ever questioned me during my four years at UCLA!
I grew up in Gothenburg, Sweden. I also lived in Ghana for four years and in Australia for one year. My dad was working abroad so we traveled with him. My mom is Indian and was adopted in Sweden.
I did my last year of high school as an exchange student. I lived south of the Atlanta, in a quite strange place - real southern. I formed my first band that year and we just started playing my songs live. It was way in for me to get to know people and to really feel at home there - through music.
I went to UCLA for a year and a quarter. There were too many students at UCLA interested in what I was interested in, and they couldn't accommodate all of us. I wasn't allowed to take voice or dance, only theater and acting. So I saved my money and, at 19, moved to New York.
One of the very best things about being a coach or student-athlete at UCLA is if you need medical attention, you won't find any better place in the country than at the incomparable UCLA Medical Center.
I'd lived in West Virginia on and off for four to five years growing up. I'm familiar with Bible Belt, with Appalachia, 'Hillbilly Elegy.'
I feel like I've lived quite a sheltered life, like my mom and dad were quite protective of me.
In 2004, I took a one year sabbatical to finish my second novel, A Thousand Splendid Suns. At the end of that year, I was not done with my book, and had to in effect resign from work. I did. I never went back.
If you're suddenly doing something you don't want to do for four years, just so you've got something to fall back on, by the time you come out you don't have that 16-year-old drive any more and you'll spend your life doing something you never wanted to do in the first place.
I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
My father is an amazing person. While he was a huge star, he never carried his stardom home and always remained simple and just our father at home. I have four siblings, and we were all very grounded. We lived a very simple life: would go in an auto rickshaw to school, played with normal boys.
An important impression was my father's one Sabbatical year, spent in England and Europe in 1937.
My parents separated when I was 2, and my dad always lived in Chicago and my mother in L.A. I'd go back and forth and sometimes spend the summer with my dad, but L.A. was home.
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