A Quote by Kumail Nanjiani

I think being funny had something to do with feeling like an outsider, not feeling cool - insecurity. — © Kumail Nanjiani
I think being funny had something to do with feeling like an outsider, not feeling cool - insecurity.
The feeling of being an outsider was a big part of my childhood. I think that helps comedians. That feeling of being an outsider. That desire for a perspective that's all your own. The idea for me to make stuff myself with my own meaning came from that as well.
I've always been into the not stereotypical hunk guy - I'm into dorky, like I call it adorkable. And I think that a lot of girls are into that. I think there's something disarming about it and endearing and also puts you at ease and there's an attractiveness there - it's like a good sense of humor, self-deprecating, weirdness. You know? Because I think we all have that in ourselves, but we just try to hide it because it's not "cool," but a lot of people can kind of relate to that feeling or the outsider feeling.
If someone is being bullied or feels like an outsider, and they relate to something that I've done, even if it's just igniting a spark, that's great. I had that feeling as a kid. I was messed with no end.
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.
I don't know who can really relate to being cool. Even people who you think are cool, they are trying to be cool. Nobody can understand the feeling of being cool, really.
Metal is the feeling of being an outsider, but still being part of something huge.
There's something about it to me, the feeling of the water, and feeling, I don't know, equal, and like everyone else. Which is kind of funny because I didn't actually start swimming right away as a sport.
You go through your life feeling like an outsider, and you respond to society in a different way when you feel like an outsider.
Unworthiness is the inmost frightening thought that you do not belong, no matter how much you want to belong, that you are an outsider and will always be an outsider. It is the idea that you are flawed and cannot be fixed. It is wanting to be loved and feeling unlovable, or wanting to love and feeling that you are not capable of loving.
In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
I don't like the feeling of being unhappy. I don't like the feeling of being unsure about myself, or uncertain with where something's going - I would rather turn away. I just can't feel like that ever again. It's just horrible.
There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all.
There is an element in some of my work that has to do with being an outsider, feeling like not part of the dominant culture.
The biggest insecurity I had was my singing. Even though I had sold 70 million records, there was this feeling like, I'm not good at this.
I don't want people to think I'm not happy when we win - I am. But there's a difference between being happy for the feeling of accomplishing something and being overjoyed and feeling, 'This is it - we conquered the world.' We didn't. We just won a game.
I could feel myself changing physically. It was like something dropped out of the sky. Seeing her on the fire escape had given me a certain feeling, and then when I saw the photograph of her, it gave me a similar feeling. And I thought that was an incredibly powerful thing - that a photograph could give you a feeling that was similar to a feeling you had in the physical world. Nobody could've told me that. I knew what I was going to do for the rest of my life.
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