A Quote by Kumail Nanjiani

Most of my exposure to American pop culture was through this weird prism of 'Mad' magazine. — © Kumail Nanjiani
Most of my exposure to American pop culture was through this weird prism of 'Mad' magazine.
You start out with Mad magazine, and you go right through the sort of black humor of Lenny Bruce, Lord Buckley, Mort Sahl, Paul Krassner... If you put Lenny together with Mad magazine and run it through the brain of a college student, you get National Lampoon.
I have always looked at the world through the prism of money to some degree. If you could follow the money, it explains a lot of things, in all sorts of aspects of the world. You can look at politics through the prism of money. You can look at art through the prism of money. You can look at sports through the prism of money.
"Mad" magazine is like one of my few formative experiences, absolutely. "Mad" magazine teaches a whole generation of people to be irreverent toward power.
American pop culture is perpetually in adolescent mode. The notions of what it takes to be a man, as depicted in pop culture, are very superficial, one-dimensional, and adolescent.
It was weird - writing is a stupid thing to do. I come up here in the morning to a pleasant room in the roof of my house and imagine I'm a black South American football superstar; then I have to imagine I'm a female pop celebrity who's pregnant. It's a completely mad way to spend your time.
I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.
Seriously, American pop culture must be the most predominant force on the planet, next to pollution and poverty.
It's very easy for Australians living in big cities to either romanticise or demonise the situation in Aboriginal places - to kind of look at things through the 'noble innocents' prism or through the 'chronically dysfunctional' prism, and I suspect that is so often the case.
I was a very young mod. The older mods at school used to like me because I brought in a copy of Mad magazine every week and let them read it. I think Mad magazine is the biggest influence in my life. At the age of ten, I decided I was going to have a band, one of the best in the country.
I do see the ministry of Human Resources Development through the prism of gender. I see it through the prism of capabilities.
Since we launched the original 'Pop Idol' in England, I've remained close with Simon Fuller. Working as executive producer on 'American idol' for its first seven years not only was an inspirational journey into the heart of American pop culture, it opened my eyes to the untapped potential of the incredibly dynamic young people in this world.
I'm a pop culture junkie. I'm a People magazine reader, an US Weekly subscriber; all of those celebrity magazines get my dollar.
The whole American pop culture started in Philadelphia with 'American Bandstand' and the music that came out of that city.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
Graffiti writers were the most interesting people in hip hop. They were the mad scientists, the mad geniuses, the weird ones.
There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
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