A Quote by Kumar Mangalam Birla

To globalize for the sake of globalizing-as a matter of ego-is perilous. Expanding internationally is hard, risky work. Globalization is not just about putting up a plant. It's not about making an acquisition. It's much, much more.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
I think globalization is a great thing. And now a lot of people complain about globalization; a lot of people don't like, you know, the globalize of the concept, the idea of the results. I think the globalization is a great idea and to create a lot of jobs.
As a black actress you've got to work doubly hard. But it doesn't ever get me to the point where I give up on myself. It just motivates me to be more prepared, focus and disciplined. That's why I care so much about doing black films and making sure that we represent and are represented correctly.
There is a heavy-ego, solitary model of being an elected leader. We've certainly seen that in some other mayors of this city... I have much more of a Movement mentality. It's much more of what I'm steeped in. I don't think it is first and foremost about me. It's about the ideas and the agenda.
A lot of people think that my work is about mocking or making fun of things, but a lot of it is about discomfort and making myself as uncomfortable as the men feel, or putting myself in a situation where I'm revealing my loneliness as much as they're revealing theirs.
'So Much More Than This' is about just getting tangled up in all of the drama and stuff that really does not matter and probably won't matter in, like, three months.
I'm trying to see if I can speak about our society today, but I cannot speak about the theme, because it's a bit difficult. I'm just starting to work on that. Because we live in a kind of world which has drastically changed in the last years. We speak about globalization, and how it's become the reason for everything. It has a kind of deep meaning. To be everywhere and to be nowhere at the same time. You think to globalize, you think, the Earth, it's your country. No, it's not your country. It's not easy to catch it in a cinema. It's too huge.
The goal is to win. It's not about making money. I have many much less risky ways of making money than this (buying Chelsea football club). I don't want to throw my money away, but it's really about having fun and that means success and trophies.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
Our ego is a monster that loves to sit at the head of the table, and I have learned that my ego is just as rude and loud and hungry as everyone else's. It doesn't matter how much you get; you are left wanting more.
I'm much more concerned about what artists think. But as you get older you tend to get much more isolated; you're not out in the bar, having long drunken arguments on the benefits of your work vs. someone else's. It's hard to know how people are looking at it, and you don't get much feedback. The written critical stuff seems to be the feedback, but that's hard to interpret.
At Netflix, we think you have to build a sense of responsibility where people care about the enterprise. Hard work, like long hours at the office, doesn't matter as much to us. We care about great work.
The indoor game is much more of a team game, having to work effectively with a group of 15 to 20 people, striving to improve every day, every drill, even every contact. The beach game is much more of an individual game within a team sport, much less about organized practices with coaches and much more about just playing the game.
No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you're not superior to sex. It's a very risky game.... It's sex that disorders our normally ordered lives.
It's always great when a director is just supportive of what you're doing. They're not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
This site uses cookies to ensure you get the best experience. More info...
Got it!