A Quote by Kumar Sanu
As soon as you come to Mumbai, get a job, then start your struggle. That's what I did.
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Most actors don't know what they're going to do next, so you get into this thing where you have to force yourself to have another life outside of acting. And then, as soon as you start something in this sort of normal life that you're trying to live, you get a job. So you have this constant struggle because you want to be able to commit to things and to finish things in your life, but then you also want to be able to act.
You become world famous, and you sit with kings and queens, and then your first job is just a job. You can't go back to living the way you did before because you've been taken out of one setting and shown the other. That becomes a struggle and makes you struggle.
I left my cushy job as an engineer in New Delhi in 2008 to pursue acting in Mumbai. I figured roles will start pouring in as soon as I landed in the city, but my bubble burst quickly.
As soon as you start to get tired, as soon as you start to get behind, as soon as your coach starts yelling at you, a lot of doors open up to quit; you got to find that one reason to stay in that battle, one reason to stay in the fire and fight.
Mumbai's infectious. Once you start living in Mumbai, working in Mumbai, I don't think you can live anywhere else.
I've grown up in Mumbai, did college from Mumbai, many colleges, actually - Jai Hind, Ruia, Andrews, Wilson, Whistling Woods... Then I worked as a production assistant with Prahlad Kakar, and then I started acting.
I had a teacher who said something great. That was, 'Go out and collect your nos. Once you get fifty nos then you can start wondering when you can get a yes.' He said, 'It is not your job to get the job; its your job to do a consistent body of work. So, every time you go in there, just go in there and be consistent, and eventually it will get noticed and someone will hire you.'
I did not come to Mumbai to act. I came here to look for a job as our business had shut down, and it was a difficult time for us.
I did not come to Mumbai because I wanted to be a star. I came to Mumbai because I genuinely love acting, and it gives me a kick.
A lot of people ask, 'How did you start the business, and how did you do it money-wise?' And the truth is that I had three jobs. A day job, an evening job, and then designing my collection as well. That's just how we did it.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
As soon as you awaken to the power you have, you begin to flex the muscles of your courage. Then you can dream bravely: letting go of your limiting beliefs and pushing past your fears. You can start to come up with a truly original dream that germinates in your soul and bears fruit in your life.
All struggle, all resistance is -- must be -- concrete. And all struggle has a global resonance. If not here, then there. If not now, then soon. Elsewhere as well as here.
When I was doing theatre in Mumbai, actors won't come because they had television. For many years, I did theatre religiously and in Mumbai, I saw people disrespecting it and it hurt me very badly.
I'm a loner, and I'm most comfortable living by myself, but Bengaluru is home for me, as my family is there. Having said that, once you come to Mumbai, you can't turn your back on it. I've grown close to Mumbai now.
When you talk with your mother you are one person; when you go to the bank or you're with your girlfriend you are another person, and that's the way I act. Then for me, it's important that I trust a director and as soon as I do, as soon as I feel comfortable with him, then I pull something out of myself that I didn't even know I had inside of me. That's what I like about this job.
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