A Quote by Kunal Khemu

When we watch a film as actors, you have to understand that we always see much more than what's on screen. — © Kunal Khemu
When we watch a film as actors, you have to understand that we always see much more than what's on screen.
I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
I do understand sometimes when actors say there's no one to talk to, or you can't react to, there's truth in that, but for me, I've always enjoyed green screen, and blue screen.
I connect much more with theatre actors than with cinema actors - insofar as you can speak of 'cinema actors' in Mexico, because there isn't a big film industry.
To have a director that loves his actors is something that you can see in the film and in the fruits of that labor. You can see that translated in the film. When you watch this movie, you can see a director who loves his actors, and it shines through the movie, in my eyes.
It becomes more and more popular to call actors who play characters "character actors." But I've always been somebody who is much more invested in who I am playing than how they look.
Sometimes, things need to be so understated on film that I don't even see them as funny, which isn't my favorite style, comedically. When I watch film comedy, I like people that are a little bit more alive on the screen and wound up. I like volatility and unpredictability and other long words like those.
I watch a lot of television and I watch a lot of film and I hate when you watch the action sequences - and I always tell when they use a stunt man - and then they put the actor in and you can tell these actors haven't done anything.
My priority will always be my performance more than anything associated with a film. I always look forward to give my best to the character I play on screen.
For me, as a film goer, I like nothing more than to sit in the cinema, have the lights go down and not know what I'm about to see or unfold on-screen. Every time we go to make a film, we do everything we can to try to systematise things so we're able to make the film in private, so that when it's finished it's up to the audience to make of it what they will.
If you think you are a filmmaker... make a film, and then show it. You need to be able to finish what you started so it is presentable. When you screen it and see if your film has an effect on an audience, you will understand what it means to be a filmmaker.
If you go to a film festival and watch a bunch of features and then watch a bunch of shorts, you will almost always find that the shorts are where people are taking more risks and pushing more boundaries...simply because they have much less to lose.
I think the unemployment rate for actors is pretty much the same in Sydney, London and New York. In all three cities, there are more actors than there are jobs. But I do think that there are far more acting opportunities in London and New York than in Sydney, where there are approximately seven actors that you see over and over again in every play.
There's so much more to being a 'top guy' than what you see on screen that I really learned.
I watch a movie or a T.V. show or whatever; if it's good, I like to watch it more than once, and it's always fun to catch something you didn't see initially.
The more people who see a film, the more life it has. But I don't like when people watch DVDs and look at two scenes, but they don't look at the whole movie. Or they sit and talk to each other. You should always watch a movie all the way through.
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.
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