A Quote by Kunal Khemu

I don't believe in getting into a blame-game or credit-hogging mode whether a film works or not. We are in it together, no matter what the result. — © Kunal Khemu
I don't believe in getting into a blame-game or credit-hogging mode whether a film works or not. We are in it together, no matter what the result.
The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.
What I believe is that people have many modes in which they can be. When we live in cities, the one we are in most of the time is the alert mode. The 'take control of things' mode, the 'be careful, watch out' mode, the 'speed' mode - the 'Red Bull' mode, actually. There's nothing wrong with it. It's all part of what we are.
I don't know if there's ever been a female-driven film or a male-driven film. I don't believe in that. I believe a film is a film - a movie can only work if everything about the film works.
Whether you believe in God or not does not matter much, whether you believe in Buddha or not does not matter so much; as a Buddhist, whether you believe in reincarnation or not does not matter so much. You must lead a good life.
You set me up," I say. "One big con. You can't blame me because I turned out not to be gullible enough. You can't blame the mark. That's not how it works. Have some respect for the nature of the game.
Lead, don't drive. And give credit. Don't blame. If an officer on your team suggested something and it worked well, give them credit. If it doesn't work well, you take the blame because you made the decision.
What I’m saying is, when different experiments give you the same result, it is no longer subject to your opinion. That’s the good thing about science: It’s true whether or not you believe in it. That’s why it works.
Generally, an indie film in the U.K. is put together much like in the states. We got a tax credit. You sell the domestic rights, which can be quite low, but it's enough to push you over the line. And you get a tax credit on top of that, and then you cobble it together with private equity or gap financing and things like that.
I'm a parent. I think we're responsible for the problems that young people have. I believe that. I don't blame them for any of it. I blame us for what we haven't done as mothers and fathers, not sticking together as a unit.
I know when it's getting close to game time, I create a different playlist for each and every game. Before the game, to game time, to warm-ups, going to the stadium, I have a different playlist that puts me in a different mode.
When I'm in the game [softball], it's not so much mechanics. It's more of just trusting my teammates, trusting myself, trusting my preparation that we've put in to get there. When you're in the game, it's go-mode. There's going to be times when you're tweaking things but when you're in that game mode, you just want to think about that one next pitch.
Movies are a director's medium, and they end up getting less credit than actors. They get the flak if the movie doesn't do well, and the actor walks away with most of the credit if the film does well.
There is no means of avoiding the final collapse of a boom brought about by credit expansion. The alternative is only whether the crisis should come sooner as the result of voluntary abandonment of further credit expansion, or later as a final and total catastrophe of the currency system involved.
When you assemble animation teams the way you do a live-action film, you're often struggling a bit to get a cohesive team together, so if you have a team that works well together, you're hoping for another film so that you can refine the team.
You do the work and you want people to see it; but, um while I'm doing the work, the result doesn't matter at all to me. Ultimately, I don't, I don't care whether the film is - you know - some big giant box-office bonanza and I don't care if its a complete flop. To me, when a film gets made and it's actually finished it's a success. They're all a success in their own way.
The voting public is not very good at attributing credit and blame to presidents. They get too much credit when things go well and too much blame when things go badly. The same applies to coaches, C.E.O.'s, parents, and anyone else in charge.
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