A Quote by Kunal Nayyar

I'm a pro! No, what I mean is I have performed with the Royal Shakespeare Company in England. I have been all over the place. I have studied theatre for seven years.
I went to the Guilford School of Music and Drama, which was affiliated with the Royal Shakespeare Company. I was lucky enough to be taught by a beautiful, wonderful teacher called Patsy Rodenberg, who works a lot with the Royal Shakespeare Company as a voice coach and technician.
I've never done stand-up; I came via small-scale touring theatre, through the Royal Shakespeare Company, the National Theatre, then I got employed on that as an actor who had a humorous sensibility.
One day, out of irritation, I said, you know all of those years with the Royal Shakespeare Company, all those years of playing kings and princes and speaking black verse, and bestriding the landscape of England was nothing but a preparation for sitting in the captain's chair of the Enterprise.
I'd love to do Shakespeare. I've been asked to do Malvolio but for one reason or another haven't been able. On a school trip to the Royal Shakespeare Company at Stratford I saw the great Emrys James as Feste and it's always been a role I've coveted.
I spent seven years in clubs in England, Australia, etc. Not all comedians cross over to sell out in a theatre.
My education has been pro-England. I have been an England-minded citizen of Hamburg, and I am still in a way English-minded, but I have been disappointed by the Brits over the years.
My middle daughter is with the Royal Shakespeare Company and was on Broadway several years ago.
My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.
By the time I was seven, I did a sonnet at Shakespeare's Globe theatre for Shakespeare's birthday because my dad had been at the first season of the Globe and was friends with the artistic director. Somehow, that lead to me doing a sonnet!
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
I have been a scientist for more than 40 years, having studied at Cambridge and Harvard. I researched and taught at Cambridge University, was a research fellow of the Royal Society, and have more than 80 publications in peer-reviewed journals. I am strongly pro-science.
If you're anti-war it doesn't mean you are 'Pro' one side or the other in a conflict. However, it does make you 'Pro' many thingsPro-Peace, Pro-Human, Pro-Evolution, it makes you Pro-Communication, Pro-Diplomacy, Pro-Love, Pro-Understanding, Pro-Forgiveness.
If you're going to do Shakespeare, do Shakespeare. There's a reason why he's been performed for hundreds of years. His words affect people on a very deep level. He's the true humanist. That all comes through his text, his words.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
Obviously we had to study Shakespeare at school, but to be honest, I was not a fan. I found the language very difficult, and I didn't enjoy watching it or studying it. I auditioned five times for the Royal Shakespeare Company early on in my career, and I didn't even get past the first rounds.
I had a dialect coach from the Royal Shakespeare Company who was from Sheffield.
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