A Quote by Kunal Nayyar
Sometimes I'll be sitting with my friends; I'll say something Koothrappali-esque and make a face. There is a lot of Koothrappali in me as a human being. A lot of mannerism, humor, mischievousness, my innocence. So I don't know if I bring him home so much as I bring myself to him at work.
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There were a lot of times that I'd rather be hanging out with friends, or out at a show, but instead I stay home and work on music. It's important to me that I make a lot of work and have a lot of variety and change for myself, because of the kind of personality I have. I have to bring my best self and my best work to the table.
The most important to me is, Theo is a good person first and foremost. And I think that has a lot to do with it. He's not deceitful. He's an honest guy, a good guy. There's a lot more to this thing than it being a job for him, being born and raised here, the Red Sox being as important as they are to him. Above all else, Theo understands he's a compromiser. Theo understands that the clubhouse is our home. He doesn't invade that privacy often. When he does, he doesn't make you uncomfortable and that says as much about him as anything.
I remember a few years ago I was sitting at home with my wife watching the Oscars. I was sitting on the couch and suddenly heard my voice. It's thrilling. It's interesting that a lot of guys do me. I have a friend who does me on his answering machine so when I call him I talk to myself. I don't really know what that comes from. It doesn't seem to me that I speak in a strange way. My wife says Kevin's (Spacey) the best.
Barry Harris had a club called Jazz Cultural Theater and there were sessions there on a regular basis. I remember being there and sitting in with [Charles] McPherson and Barry being there, and just smiling at me. He didn't talk to me much at the time, he just came up and gave me a smile, which meant a lot. I've since gotten to know him and been around him a little bit.
The idea of death is something that doesn't make sense to a lot of people. But to bring something back - or vampires who never die - is a logical fantasy for a human being.
It's really important to me that the actors bring a lot of elements of the characters to the process so they own it, so it's personal to them, so it's not just me saying, "You stand here, you say this, you do this, you feel this." No, you bring it up from in here and then let's work with that.
I've learned that if one is arrogant and if something bad happens to him, people won't want him to succeed. They will make more of an effort to bring him down.
I work with men a lot, and there's a yin and a yang that goes on when you work one guy and one girl. And there's things that I bring that they don't bring and things they bring and I don't bring.
Even there, in the mines, underground, I may find a human heart in another convict and murderer by my side, and I may make friends with him, for even there one may live and love and suffer. One may thaw and revive a frozen heart in that convict, one may wait upon him for years, and at last bring up from the dark depths a lofty soul, a feeling, suffering creature; one may bring forth an angel, create a hero! There are so many of them, hundreds of them, and we are all to blame for them. [...] If they drive God from the earth, we shall shelter Him underground.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
From a simple, mammal perspective, you think you're going to make friends through the movie. You think, "Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends," or something. You don't even think in terms of audience or of money.
There's so much I love about home, but then there's a lot that I can acknowledge that I dislike about home. And acknowledging that to myself helps me see that place more clearly and to bring readers to that place.
The advise my dad gave me: "To know is to study." Get some training under your belt, so that nobody what somebody asks you to do, you know how to handle it accordingly. I learned so much while working, because I developed a solid work ethic in school. Whereas, a lot of my friends had no work ethic; and because of that, they're sitting at home today.
No one knows what he himself is made of, except his own spirit within him, yet there is still some part of him which remains hidden even from his own spirit; but you, Lord, know everything about a human being because you have made him...Let me, then, confess what I know about myself, and confess too what I do not know, because what I know of myself I know only because you shed light on me, and what I do not know I shall remain ignorant about until my darkness becomes like bright noon before your face.
I couldn't bring myself to call him by his first name, that wasn't my upbringing. So I suggested I call him 'Anandji.' He glared at me and said, 'Do I look like a schoolteacher to you?' The next day when I called him 'Dev Saab' he looked around as though he didn't know whom I was addressing.
I got 'Power' on my own through my agent and my team. I didn't know 50 until I got on the show. Because my character is so close to his, we spent a lot of time as friends. But even in that, I didn't really bring up music to him because I saw how everybody else was bringing up music to him.
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