A Quote by Kurt Angle

Believe it or not, I kind of went into professional wrestling so I could get an avenue into acting. — © Kurt Angle
Believe it or not, I kind of went into professional wrestling so I could get an avenue into acting.
I was just lucky to be there ahead of the curve to be the driving force behind bringing this amazing style of wrestling from Japan that combined Lucha Libre, American professional wrestling, Canadian professional wrestling and Japanese wrestling all into one beautiful mix that fans worldwide absolutely can't get enough of.
I was told I have to work 10 years to get a doctorate. Well, I have worked all that time to become a doctor in professional wrestling. So to speak, I have a Ph.D. in professional wrestling.
I am into professional wrestling. Only Greco-Roman and freestyle wrestling can qualify in Olympics. I chose professional wrestling for fame and limelight and good money.
They say that wrestlers are actors, and they couldn't be more wrong. The truth is wrestling and acting could not be more opposite. Wrestling is explosion, and acting is implosion.
In my first fight, I acknowledged it. I'm a professional wrestler, this is who I am, who you know me as. But guess what, I've also been wrestling since I was 5 years old - real wrestling - amateur wrestling, Olympic wrestling.
Bobby is the Aaron Rodgers of managers in professional wrestling - Rodgers works magic on the professional football field, but Bobby Heenan did the same thing in a wrestling ring, in a television studio, on a radio program, and he could do the same thing in a newspaper layout. He was a great communicator, and he knew how to generate heat with fans.
Acting is a big ambition, but I still have a professional wrestling world to conquer.
And so it's sort of a fine line where you want to be recognizable as professional wrestling but you also want to set yourself apart from what some people consider the standard of professional wrestling, which is the WWE.
I think the digital revolution and the opportunity for smaller brands to get big platforms now is fantastic for professional wrestlers and professional wrestling in general.
Wrestling and acting couldn't be anymore different in terms of what it takes to entertain. Wrestling is explosion, acting is implosion. One really screws up the other.
Why don't they allow professional wrestling at the Olympics? They allow pro basketball players and hockey players. Olympic pro wrestling would be awesome. The team from Mexico could wear those Mr. X masks. The French wrestler could hit his opponent with a baguette. Or perhaps just surrender.
If you go back in time to the '60s, the '70s, probably the early '80s, British professional wrestling was the most respected region of professional wrestling on the planet, and somewhere along the way that got lost and wrestlers were forced to America or Japan or even Mexico to make a living.
I think the biggest difficulty from transitioning from professional wrestling to the acting world is generally toning down your performance.
I was painfully shy as a child; I was dyslexic. I had a single mother who's an immigrant. I just didn't believe acting was something that people like me could do on a professional level.
I'm good at professional wrestling, and I always will be good, but what's always been different about me is that I can't completely focus on professional wrestling.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
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