A Quote by Kurt Braunohler

Improv requires your audience to be informed about what improv is. With stand-up, anybody can sit down and watch stand-up and laugh at jokes. — © Kurt Braunohler
Improv requires your audience to be informed about what improv is. With stand-up, anybody can sit down and watch stand-up and laugh at jokes.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
The thing that's frustrating about improv is that even if you have the best show in the world, it's over when it's over. You get to build stand-up - I really like that aspect of it. I like writing jokes, and you don't get to do that in improv.
I think, in a way, the stand-up prepped me for the improv, because I do a lot of riffing in my stand-up.
Improv seemed to replace stand-up, which was very big before that. Stand-up comedy was real hot in the late '80s and through the '90s.
I always wanted to be a stand-up comedian, even as a kid. Me and my dad would watch 'Evening at the Improv' on A&E.
There's an audience that is paid to laugh at my jokes. I'm playing a character while I'm doing stand-up. Real stand-ups, man, they're playing themselves. I'd be far too terrified.
Stand-up and sketch and improv - that's the most direct contact you can have with somebody, making them laugh. I like that. I like the intimacy.
I did stand up first in high school, joined an improv group in college, kept doing stand up after that, no one could deter me. And I have no other skills really, so I'm sorta stuck with this now. It's a little late to switch over to an ornithologist.
I like the purity of stand-up because it is all about whether people laugh at your jokes. Either they laugh or they don't.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
I have the improv background, but stand-up is different.
I've never done stand-up in my life. I don't know if that's entirely interesting, but I came up in improv.
Is this a generation of orphans who are going to the improv to do stand-up?
If there's one regret I have of my time in comedy it's that I really I was so obsessed with improv for so many years and I exclusively did improv for the first 6 years or 7 years. I was doing comedy and then I started doing solo work and stand up, a bit of writing, making videos, and really going into it on that end.
When I started stand-up, the first thing I did was to take an improv class.
My rule of thumb is to always do what's on the page first. Then you can talk to your director about playing with it. Improv frees me up in a character, but I would be mortified if the writers who agonized over their words assumed I thought my improv was more valuable.
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