A Quote by Kurt Braunohler

I put so much energy into with improv. You can only perform it at a place where people are, essentially, taking improv classes so that they just appreciate what's happening.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
Well, actually, the Second City thing came about because I was taking a few improv classes there. I thought that the improv classes would help with my wrestling career, which it has.
We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.
I take improv classes. Improv is something I can use in any aspect of life.
I know how to have a conversation, but I've never done improv. I've never taken improv classes.
I'm convinced to do improv. All you have to do is listen to what people are saying to you, and then just add more information to what they've just said. That's all there is to improv, but it's the hardest thing to do.
I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
It's so much harder to make a living off improv. Improv is so rarified and for such a specific audience.
I miss improv. I hate it in a way - watching it, doing it - but only because it's so challenging and nerve wracking. Improv is the only belief system I've ever experienced that directly works on how to be. Just how to be.
If improv gets reckless, you can feel it. A lot of shows try to do that, I find. When improv is done sloppily. It betrays the story. It can slow down the energy of the story you're telling.
In 2002, I was taking an improv class because, as a white male with glasses who was born between 1978 and 1994, it's legally required that I take at least one improv class in my life.
I went to a French immersion school, and French-Canadian improv is a big thing, and we had an improv team at school, and 12 of us would get up and make things up against other elementary schools. I'd always wanted to perform, and that was just another extension of it.
When I finished grad school, I moved to Chicago proper, and I was at all the different improv schools, taking classes or interning.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
I absolutely loved improv! I felt very much at home being onstage. It freed me to be all sorts of people other than myself. It was an escape from myself, if you will. I still love that creative freedom of improv and making people laugh.
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
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