A Quote by Kurt Cobain

My songs have always had frustrating themes - relationships I've had — © Kurt Cobain
My songs have always had frustrating themes - relationships I've had
My songs have always been frustrating themes, relationships that I've had. And now that I'm in love, I expect it to be really happy, or at least there won't be half as much anger as there was.
I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I've always gravitated towards that feeling.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
My parents have always had a great sense of humor. And I really appreciate good humor in songs, witty lyrics that sneak up on you and then you listen again, and say: 'That's so funny.' John Prine's songs have always had this really witty tone.
When someone says that I'm angry it's actually a compliment. I have not always been direct with my anger in my relationships, which is part of why I'd write about it in my songs because I had such fear around expressing anger as a woman.
Singing always came naturally but the writing side is something I have always had to work hard at to get from good songs to great songs.
I've always had this thing about it not really mattering where you're from, because there's always been this big cloud over America saying you have to live in L.A. or you have to live in New York to make it. I always knew it didn't matter as long as you had the songs.
[Robert] Ford had the idea that through fame he would receive some personal validity, but he didn't. I feel that these are not the main themes, but certainly themes that are at play in this film [Assassination of Jesse James].
No one really understood music unless he was a scientist, her father had declared, and not just a scientist, either, oh, no, only the real ones, the theoreticians, whose language was mathematics. She had not understood mathematics until he had explained to her that it was the symbolic language of relationships. "And relationships," he had told her, "contained the essential meaning of life."
I would say my relationships have always affected my music. Each one. I wrote most of my great songs, that I'm still using today, in 2008 when I had the worst heartbreak of my life with my first girlfriend. It inspired great music.
I've been in relationships and had long-term boyfriends since I was 13, so I've always had that emotional pillar of support. I'd got to a point where I felt like I couldn't live without that.
I believe that you can love anyone. I've had relationships with women, I've had relationships with men. I don't think you should be judged based on who you find attractive. Especially guys - gay men, they really have it hard sometimes.
For years I never had the courage to bring my written songs out. I had so many unreleased English songs.
I have always had confidence and known what I am capable of. So it is frustrating when you are not showing everyone.
For 'Narrow Stairs', the majority of the songs I brought in were guitar songs - songs we could sit in a room and just play. I can honestly say I had more fun and felt more inspired on this record than anything that we had done in a long time.
I decided at 15 that I didn't want to be one of those artists that gets up and sings love songs they don't mean. I decided that I was going to be me to the fullest extent, that my songs were going to reflect relationships I've had, things I've been through, and even the stuff I'm embarrassed about.
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