A Quote by Kurt Cobain

We're just musically and rhythmically retarded. We play so hard that we can't tune our guitars fast enough. People can relate to that. — © Kurt Cobain
We're just musically and rhythmically retarded. We play so hard that we can't tune our guitars fast enough. People can relate to that.
We were just amazed we were putting out a record. We were, and are, still learning. But we've never cared much for professionalism as long as the energy was there. Like our live shows: We're out of tune and use a lot of feedback. That's not on purpose or because we don't care, we're just musically and rhythmically retarded and we play so hard that we can't tune our guitars fast enough.
There are some people saying I'm a tweener - not tall enough for a power forward and not fast enough for a three. But I feel like if I go out there and play hard, it will eliminate all that.
Your head's like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune's all we are.
Walking was not fast enough, so we ran. Running was not fast enough, so we galloped. Galloping was not fast enough, so we sailed. Sailing was not fast enough, so we rolled merrily along on long metal tracks. Long metal tracks were not fast enough, so we drove. Driving was not fast enough, so we flew. Flying isn't fast enough for us. We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind.
I cannot work fast enough. I cannot cope fast enough, really. And just releasing a film is hard.
There are guitars everywhere around all of our houses. Pianos. Guitars. It's kind of just in our blood. It's in our nature.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
I've had tons of bullies who would call me retarded, even on my Facebook page. It's sad and it really hurts. I want to tell people not to use the word. Don't say your friend's retarded when they do something foolish. If you have a disability, keep working hard. Whatever it takes, do it, and don't be mean to people.
I do play the guitar, and I can sing, but just enough to carry a tune.
One of my favorite sketches, and a popular comedy formula, is to put someone with a mental handicap in some kind of unlikely situation. For example: The retarded gynecologist, the retarded Jesus, the retarded Osama Bin Laden. It works. It's funny. Inappropriate? I dunno. I feel like I'm a pretty good judge of what crosses the line of good taste being that I am retarded. Socially perhaps, but severly retarded.
This deluded little rube who really thought the future would be any better. If you just worked hard enough. If you just learned enough. Ran fast enough. Everything would turn out right, and your life would amount to something.
I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
I find that I relate to most of the characters that I play on a really personal level, just because we're the same age, we're girls, and we're growing. I can find myself in those roles, so it makes it easy to connect to. But all of them are their own person - they're all hard to understand and hard to figure out, just like I am.
If you play angry, you lose what you're supposed to do. On defense we just read our keys and play fast.
I don't look at people's expressions, because I still get nervous when I play, especially when I first put the harp up there. I just try to tune - it takes me a half-hour to tune, and I get nervous if I look at anybody when I do it.
What I love about film scoring is that all the answers are in the story. You just need to get in tune with the story and realize it musically.
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