A Quote by Kurt Cobain
Out of all the guitars in the whole world, the Fender Mustang is my favorite. They're cheap and totally inefficient, and they sound like crap and are very small.
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I'm left-handed, and it's not very easy to find reasonably priced, high-quality left-handed guitars. But out of all the guitars in the whole world, the Fender Mustang is my favorite. I've only owned two of them.
The first guitar I ever picked up was an acoustic black Fender, so it makes perfect sense that Elias plays Fender guitars. As far as details, it's simple; Elias and Fender have a great relationship.
I like guitars in the Fender style because they have skinny necks.
When we first started, in the early Eighties, we had some crappy guitars - Japanese knockoffs that wouldn't hold standard tuning. Later, we'd shove drumsticks or screwdrivers under strings to scheme new noises, sure. But initially, open tuning was a technique used to make our cheap guitars sound better. It wasn't academic or conceptual.
I like The Smiths as well. They took a cue from The Buzzcocks. They have jangly guitars instead of distorted guitars. All the Manchester bands have a character about them. The Stone Roses and The Smiths and all that. Even if you don't like them, they have a certain original sound.
When Derek Miller and I started working together, we had a very clear vision for the sound of the band. It was one which combined our favorite musical elements: driving guitars, bombastic beats, and female vocals. We've always been interested in making music that is essentially pop but that steps outside of the traditional formula into a stranger, more abrasive world. We love that our music makes people dance with complete abandon and feel empowered. It's very uninhibited music, and that's what makes it so fun.
Motion comics are just cheap animation. Very cheap animation. And I like animation almost as much as I like comics, but I'm not rushing to pay out for a cheap hybrid of the two.
The It Bag is a totally marketed bullshit crap. You make a bag, you put all the components in it that you think could work, you send it out to a couple of celebrities, you get the paparazzi to shoot just when they walk out of their house. You sell that to the cheap tabloids, and you say in a magazine that there's a waiting list. And you run an ad campaign at the same time. I don't believe that's how you make something that's lasting - that becomes iconic as a design.
Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.
A totally different attitude is needed: the attitude of love. Christ brings love to the world. He destroys law, the very basis of it. That was his crime; that's why he was crucified - because he was destroying the whole basis of this criminal society; he was destroying the whole foundation rock of this criminal world, the world of wars, and violence, and aggression. He gave a totally new foundation stone.
I want to make hip-hop that can use guitars and soul and jazz and just fuse it all together. And I want to make this whole new sound that's going to shock the world. Unfortunately, the masses didn't receive it.
I'm always trying to evolve my sound. I love the simplicity of my setup. I play Gibson guitars and Marshall amps. So it's kind of like the standard rock sound.
I have an electric Fender and a Telecaster. I have a Taylor and a Martin. I want to get more guitars for more sounds.
In the early '80s, my sound - especially that mysterious kind of synthesized sound that was used so much - every relatively cheap TV show eventually had it because it's not expensive. It's just one guy doing the whole soundtrack. So it was overdone.
We are entering a hyperconnected world where every boss now has more access, cheap access to cheap labor, cheap genius, cheap robot, cheap software, and then this world averages over. There is only one answer to that, and that is to get everyone as close as possible to some form of post-secondary education, it could be vocational, it can be liberal arts, it can be science and technology.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
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