A Quote by Kurt Elling

When improvisation is properly applied, it is compositional thinking, sped way up. — © Kurt Elling
When improvisation is properly applied, it is compositional thinking, sped way up.
When I hear the piano played in a compositional way, like in a songwriter's way in a compositional way, there's a certain arc to that that I love.
Improvisation is a compositional method.
A lot of improvisation ends up being about just thinking outside of the box in the scene. It's not improvisation as much as it is quickness or making it real.
People with disabilities can grow up thinking they have a weakness because they are told,You will never do this properly; you will never walk properly or talk properly.' That's all they hear. But you have to look past that.
I'm very interested in the improvisation because one of the things I do is to help train scientists to communicate in a better way and more personal way when they're making a presentation, and I use improvisation to do that.
Once, I was followed by a car when I was driving. Every time I sped up, the car sped up, and when I slowed down, it slowed down. Eventually, I stopped, got out and screamed, 'What do you want?' He said, 'I just wanted to give you some flowers because I'm such a fan.' I felt awful. He was just being kind.
The creation and destruction of harmonic and 'statistical' tensions is essential to the maintenance of compositional drama. Any composition (or improvisation) which remains consonant and 'regular' throughout is, for me, equivalent to watching a movie with only 'good guys' in it, or eating cottage cheese.
Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.
What people think improvisation is and non-improvisation is, it's nothing to do with what you like or dislike. It's all about how it happens with certain directors and certain scenes. That's the way it works. It's not something, in general, that you can decide.
Thinking is a wonderful tool if it's applied. Thinking, however, can not become the master. Thinking is a very bad master. If you're dominated by thinking then your life becomes very restricted.
Let's just start with the word 'diva.' It is obviously a sexist slight - a term that is only applied to women, almost always in a derogatory way. It's usually applied to women who are viewed as overly ambitious. It is applied to demanding women, to women who follow their own path.
Remember that a book is many drafts - mine certainly are. It's improvisation. It's as much jazz and the way we talk and the way I heard people preach coming up as it is writing.
Improvising is writing, too - there was no music and now there's music. So that's composition. And any time you take any sort of a performance liberty, you're making a compositional choice. I don't know a serious performer who hasn't made compositional decisions, who hasn't engaged in the art of composition.
Knowledge is power. If it is not applied properly to create, let there be no doubts, it will destroy.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
There is no limit to the ingenuity of man if it is properly and vigorously applied under conditions of peace and justice.
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