A Quote by Kurt Elling

I'm one of the culprits who keeps turning stuff around, shaking up original tunes and trying to stand the canon on its ear. But sometimes, you just need to sing the song.
I'm so bad at lyrics. I'm always trying to get better. Sometimes, the song can restrict your lyrics - if you're trying to make a poppy song, you don't want to sing something that sounds like it could be on an At the Drive-In song.
I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
I'm not an original composer. The tunes are not stolen from other tunes necessarily except in a few cases, but they're in the style of songs that I grew up with.
'Pretty Lady' is the conversation piece where you just need to compliment your lady. If you are in a club setting, and you just been eyeing a beautiful woman, this song came from me trying to compliment women and them turning their face up at me.
Our tunes aren't just sing-along tunes: they're very complex. After a few days of that, you gotta take a break.
I kept being asked by corporations to do corporate gigs. And I said, 'I don't have anything. I'm not a stand-up. You want me to come sing show tunes for you? I don't think so.'
Sometimes I'll hear some music in my head or I'll go to the piano and mess around and come up with a tune, or be on the guitar and come up with some chords - or I'll come up with lines, or just some words, or just a sentence. It could be the title of a song. I do that all the time. I write titles of songs a lot. And sometimes I'll end up writing a song that I don't have a title for and I'll say, "Oh, this goes with that title".
I have that love for music, when you are finding either old gems that you never heard or newer stuff that perks your ear. It keeps you trying to look for new stuff to write about it. You don't spin your wheels. I take that same approach to music and books.
Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
There's a big difference to when you stand up and sing someone else's song, but when you've actually written the song, you feel like you were a part of it, and you're a lot more proud of it.
I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song.
Like the sweet moon keeps the sky Like the wind goin' whooshing by When those ol' sunbeams break the day I will keep you while you play Just as ol' river keeps the fishes And little stars keep silver wishes Just as the ocean keeps the blue I will stand here close to you. When all around is dark and deep When them ol' shadows slowly creep Even when you're fast asleep It's you I'll keep, it's you I'll keep No need to cry, no need to fear I will always be right here. I will always be right here.
Give up on trying to be original. Every song has been sung, every picture has been painted, and every story has been told. The best one can do is sing, draw, or tell it again well.
You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".
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