A Quote by Kurt Elling
I can't say New York's home, but I've made a lot of friends, and I'm developing a map of what cats are here and where they play, and as a singer, you're always looking for projects that tie things in emotionally and intuitively with your life.
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I'm always looking for ways that I can work from home with my home studio and stay busy. This is a great way to do it. Having a home studio has made projects like this a lot easier.
It's true that the biggest value of life is that it's going to stop. I was thinking when I was in New York the last time that all that we see that has importance is man-made. It isn't nature-made. And when I was looking through the window, looking at New York, I was so moved by humanity's desire for immortality-because that's what it is.
Where would we be without our friends? Honestly, every friend is so unique and special. I have my friends back in New Zealand, I have my friends in New York and California. Then you have your friends who are your family. Barbara Palvin falls into that category. I have a lot of love for all my friends.
Where would we be without our friends? Honestly, every friend is so unique and special. I have my friends back in New Zealand; I have my friends in New York and California. Then you have your friends who are your family. Barbara Palvin falls into that category. I have a lot of love for all my friends.
If you go away on location for three months and your wife stays at home, you've made a whole new load of friends and she's made a whole new load of friends and you get home and you're kind of strangers.
Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging.
I'm always on the market for a new friend, period. As your success continues to grow, you start to see who your real friends are. But I'm always looking for wonderful people to have in my life that have no agenda and aren't fake friends.
I compare a lot of life to looking at a map through a straw. The less ability you have to see life in a humorous way, the smaller the straw is that you're looking at the map of life. You're not looking at the whole picture. You can't see the whole topography without it, and it can help you to make better choices.
I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.
As you know, I'm a black girl out of the projects of New York City, raised in a single parent home because my parents divorced very very young... welfare and homeless at four and then again at 16 and just not having the things or the necessary tools that society would say I needed to have in order to be any kind of success in life.
I love New York. But how much should it cost to call New York home? Decades of out-of-control budgets, spending hikes, and relentless borrowing have made New York simply too expensive.
Growing up in New York, there are a lot of tenement buildings and a lot of projects. You don't leave your projects too much. The laundry's there. The grocery store is there. Everything takes place right there. When I got knowledge of myself and thought about moving around the city, hip-hop was something that helped me.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
New Orleans cats don't play a lot of solos unless they got something to say. It's not an ego thing like it is with some other musicians. You say what you gotta say and then shut up.
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