A Quote by Kurt Fuller
I would go to these 'Supernatural' conventions because, well, one, it's like going to your own version of Disneyland. You're adored for an hour or whatever, and then you walk out and you're nobody again, but, boy, when you're there, it must be what it's like to be Brad Pitt all day, you know? You're the best thing going. And it pays pretty well, too! But I was concurrently loved and hated by everybody, because the suspension of disbelief is, uh, pretty high among 'Supernatural' fans.
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It's like Brad Pitt for us. You might not like blond men with pretty features, but c'mon, it's Brad. You're not going to kick him out of bed for eating crackers.
I've been going to 'Supernatural' conventions, so they tend to be big 'Lost' fans and big 'Supernatural' fans, but it's usually for both of those. Walking on the street, people are really, really into 'Lost.' But on the conventions circuit, it's Lucifer.
I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.
If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.
I think what's interesting about the whole paparazzi thing is that unless you're Brad Pitt or Madonna, you can pretty much avoid it. You know when you're going to an opening that you will be photographed, so that's fine. And you know the restaurants that have paparazzi, so you don't go to them.
So I made an outline. Well, you know, days are going by, and I am not writing anything because this thing is laid out in front of me. It's as if you get every brochure for a trip you are going to go on and you get the minutest details of every step along the way. Well, I really doubt you're going to then get in the car and go. You know, it's like, why bother if it's all laid out in front of you?
I want to have my face look like Brad Pitt. Then I'll be with Jennifer Aniston and then Angelina Jolie. Then the real Brad Pitt will come in, and we'll have a Brad Pitt face-off.
I just kind of do my own thing. I'm not trying to be like nobody else or nothing like that. Like when I travel, everybody's like, go to Dubai, it's a new thing. I can go to Dubai, but I'm not going to just because I'm not trying to go where everybody is going.
I do miss 'Battlestar', the cast and crew. That was a pretty well-oiled machine. It's sort of like you don't know what you've got till it's gone. But I go to a lot of sci-fi conventions, and I love going and talking about the show.
The actors I would like to work with are Julia Roberts, just because I've admired her work for a long time, well Brad Pitt. I think you know my reasons.
A friend of mine is a chef in Bali, and another friend said, 'God, he's like Brad Pitt,' and I said, 'Yeah, I think he's more like arm Pitt,' 'cause, you know, 'Brad Pitt' would be a bit of an overstatement.
When someone has too much of a thought-out idea, that can be a big obstacle to get anywhere. Because it's like [if] you have a preconceived idea of what's going to happen in the studio in an hour's time, then you're not free anymore and you lock yourself into your own expectations. I don't think that's very creative. It doesn't work well with me.
I've taken all the mirrors out of my house because when I'm playing onstage, I feel like I'm still in high school. I feel like that kid that wanted to play in his first band, and then I look in a mirror, and it's like, 'Uh-oh!' It ain't pretty.
Here's the thing: I consider myself pretty well - for somebody that didn't go to high school, pretty well educated.
Live theatre is great. I loved doing the League live because you get that element of spontaneity, but then when I'm doing live I start to crave the precision of filming. It's a different discipline; it's like a scalpel and you're very precise suddenly. It's scary as well because you think this is it, this is my one go at making it if I can the best it can be, because this is how it's going to be remembered and rendered and left on this film indelibly. And people are going to look back on this and that's that.
Sometimes when we're in love, we take the facts and spin them into pretty stories. But it's a dangerous thing to do--because one day, like it or not, you're going to see the world as it really is. You find out people aren't always who you want them to be. And if you're not ready for the truth...well, let's just say it can come as a bit of a shock.
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