A Quote by Kurt Fuller

I had no idea that, when you audition for television or movies, you go to a big building - like, an office building - and you walk in the room, and everybody, I assumed, was smarter than me and better than me, and there's actors you recognize. I once fainted at an audition.
I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.
My agent wanted me to audition for Dumbledore's character after Richard Harris died. I was asked if I would like to audition for it. But I wouldn't audition for it.
In films, I didn't crave the type of attention I had sort of stumbled into in my music career. And I do not audition well. I'm really not good at it. Early on, I did movies like 'Alpha Dog' and 'Black Snake Moan' because the directors didn't ask me to audition.
If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.
I know plenty of actors smarter than me with better taste than me who love horror movies and love sci-fi and it just doesn't make sense to me.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
I had sent out 100 audition tapes within 365 days, and then I got the 'Dope' audition. When I sent that out, two days later my manager called me and said they wanted to fly me out to L.A. to audition.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
I actually like to audition. I prefer to audition for something because I don't want to walk onto a stage or a set and [have someone] say, "You are so far away from what I thought you were going to bring in." I would feel more comfortable to audition and say, "Here's my take on it - take it or leave it".
I just would never go audition, and yet I was in very visible places where people would come looking for actors. I say I'm lazy, though I'm sure if I were in therapy for a lot of years, it would turn out to be a lot more than laziness. After awhile, it was, like, too embarrassing for me not to go on auditions. I had to be humiliated into it.
It's stressful to keep doing audition after audition after audition. You finish one and go to the next one, and you have to learn lines. For me, I have to work on my accent, so I was getting accent coaching and acting coaching. I wanted to make good impressions.
When I go to audition for voiceovers, I do dress as if I'm going to an on-camera audition because that's my way of showing that I do care and it means something to me.
When you audition for things, there's pressure to go in there with a complete performance, and it's kind of unfair because, if you get it, you'll have rehearsal and talk about it, and you'll have plenty of time with the script. So, for me, I really do feel like an audition is a sketch of what you might do.
There's no better gift to an actor than when you walk into an audition, and the casting director is your partner.
I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.
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