A Quote by Kurt Loder

Some of the most important stories don't lend themselves to television treatment. — © Kurt Loder
Some of the most important stories don't lend themselves to television treatment.
If I ever got to do television, I would be interested in doing different kinds of characters and stories, and television doesn't lend itself to that.
For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.
When I first heard 'A Christmas Story, the musical,' I thought, Oh, that could be really good. It just felt like it fit. Some films lend themselves well to other formats, some don't, but there are so many fantasy sequences in the film, and Ralphie's such a dreamer as a character, I thought they could really lend themselves to being set pieces.
First of all, tabloid stories are some of the richest and most important stories that we have. There's nothing wrong, per se, with tabloid stories.
Some stories seem to lend themselves to telling right away. 'All The President's Men' was done, what, four or five years after the event? It certainly seemed to work there, as opposed to something that happened 40 years ago.
If you can write a nation's stories, you needn't worry about who makes its laws. Today, television tells most of the stories to most of the people most of the time.
I have occasionally thought that some [TV] hosts have needed treatment, and some of these hosts have even admitted they could benefit from therapy. Having said that, I think most people can benefit from treatment. Those who need it and refuse to get it generally have the most "issues.
We must learn how to lend ourselves to dreaming when dreams lend themselves to us.
Trouble is, some accents lend themselves to comedy.
We think we've got great stories and characters that will lend themselves to great standalone experiences, and that's the way we're focusing on it.
More and more of our finest actors are finding room for themselves in the world of television - but I truly believe it's because some of the best stories are being told there.
One thing that's a lot harder to put into stories than you'd think is the idea of a traditional monster, because monsters with a capital 'M' don't inherently lend themselves to a story about your character. Unless one of your characters is themselves the monster, simply having a monster leads to a chase or a hunt.
Stories in families are colossally important. Every family has stories: some funny, some proud, some embarrassing, some shameful. Knowing them is proof of belonging to the family.
It's crucial to choose your work place - some places lend themselves to you and others don't.
'Alpha' is a very fast-moving book. It doesn't lend itself to laborious introspection and the navel-gazing that some stories can fall prey to.
The New York Times I think really is the gold standard of a certain type of journalism and in some ways it's the most important type of journalism, this chronicle of the biggest and most important stories of our time covered with a level of rigor and seriousness that is really unparalleled.
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