A Quote by Kurt Loder

I came over here and worked for rock magazines, and I worked for Rolling Stone, which has a very high standard of journalism, a very good research department. — © Kurt Loder
I came over here and worked for rock magazines, and I worked for Rolling Stone, which has a very high standard of journalism, a very good research department.
I had very good bosses, very good companies for which I worked. I worked in industries where the results really mattered; it wasn't the perception of results, it was just the facts.
I worked in the mail room at CAA when I was in high school. I worked in the literary department, too. That was my after school job, believe it or not: I would read manuscripts and then evaluations on whether or not I thought they'd make good movies. Which was fascinating and kind of hilarious to me at the time.
I think having worked in a department store setting, if my life had not taken a drastically different turn when I became an actor, there's a very high probability I would have continued to work at the department store.
In 1948, I began coaching basketball at UCLA. Each hour of practice we worked very hard. Each day we worked very hard. Each week we worked very hard. Each season we worked very hard. Four fourteen years we worked very hard and didn't win a national championship. However, a national championship was won in the fifteenth year. Another in the sixteenth. And eight more in the following ten years.
When I came to Detroit, if you threw a stone up in the air and it came down, it would hit an autoworker because the Chrysler Jefferson plant where my husband worked was very close also to where we lived.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't.
The rolling stone rolls echoing from rock to rock; but the rolling stone is dead. The moss is silent because the moss is alive.
I have to say I've worked very few days of my life. I used to have to cut the lawn, and when I was in junior high school, I worked at a concession stand at a stadium.
Now, whether or not in a place like Chicago you do stop and frisk, which worked very well, Mayor [Rudy] Giuliani is here, worked very well in New York.
I got into acting because nothing else worked. I have done literally everything. I have sold magazines door-to-door. I've worked on an assembly line in a factory, a restaurant, the desk at a hotel. I've worked in statistical typing, taught school. You name it, I tried it, and nothing worked.
These people that worked with my dad doing landscaping were in a grunge band so the music on the cover of Rolling Stone was in a very real way connected to people practicing in the woods near my house while I was home doing my homework.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
Guitarists shouldn't get too riled up about all of the great players that were left off of 'Rolling Stone Magazines' list of the Greatest Guitar Players of all Time' ... Rolling Stone is published for people who read the magazine because they don't know what to wear.
At some point around '94 or '95, 'Rolling Stone' said that guitar rock was dead and that the Chemical Brothers were the future. I think that was the last issue of 'Rolling Stone' I ever bought.
My father came from a chawl and became a top star in Bollywood and worked very hard for us. When I look at my dad, I feel very good that my papa did so much.
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