A Quote by Kurt Loder
So, yeah, I think it had a major effect. I think in franchising younger people, it was just an idea that's never been trotted out before, but it makes perfectly good sense.
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L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.
I'm just trying to think what other sequels there were. There was the James Bond movies and not many. I think sequels have become a recent idea of franchising.
I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.
I think it’s important to have a good hard failure when you're young. I learned a lot out of that. Because it makes you kind of aware of what can happen to you. Because of it I’ve never had any fear in my whole life when we’ve been near collapse and all of that. I’ve never been afraid. I’ve never had the feeling I couldn’t walk out and get a job doing something.
I grew up with the motto of "they can't kill you and eat you," and I still think that's right. You sure as hell can't! When it comes to speaking about my body makes other people uncomfortable but it doesn't make me uncomfortable. It makes them think more about themselves than it makes them judge me. I've always had this body and had to live with it. I've never been a little thing. I've been smaller but I've never been small, even as a baby. I've never had that window into that kind of world where people only talk to you because you're conventionally sexy.
The loss of seriousness seems to me to be, in effect, a loss of hope. I think that the thing that made people rise to real ambition, real gravity was the sense of posterity, for example - a word that I can remember hearing quite often when I was a child and I never hear anymore. People actually wanted to make the world good for people in generations that they would never see. It makes people think in very large terms to try to liberate women, for example, or to try to eliminate slavery.
I had no idea what effect something blockbustering would have. To me, it was just a job that I was trying to do the best I could. We had shot the first five shows before it went on the air. Then, it was this firecracker hit, and people were recognizing me, so it was just nuts. It was overwhelming, insane, wonderful and scary all at the same time. It's really peculiar that people see you on television and then think they have a personal relationship with you. So, they want to touch you, and grab you, and sit down and have lunch with you. It's strange, and you never get used to that.
I have more compassion than if I had led a life where everything worked out exactly as I had planned or if I had never been wounded or if I had never been betrayed or I had never been harmed. I don't think I would be as good a person.
In the beginning, when I first found out I had a disease that was incurable, emotionally I had to get used to the idea of being sick before I could think about making any other major decisions in my life.
I don't think the idea of requiring these to be only sold to people who have already own the bonds, in other words, this naked position that the Germans have recently put into their financial regulation and has been discussed here. I don't think that makes any sense.
I really don't think plastic surgery is a good idea. People who've had it done don't look younger or better, they just look like they've had plastic surgery.
I think that, to be an artist, you have to have a big enough ego to believe that people out in the world want to see what you think is a good idea. And if you don't have that sense of ego, then the minute that idea goes into the world, self-doubt kicks in.
I've noticed more people coming to shows and I've had a feeling that they were from a part of the culture I haven't been able to get to before, younger people. I think on iTunes they've been experimenting with my songs and the digital radio world has been very kind to me.
When I was younger I would often go to nightclubs and sit in the best-lit corner to look at what people chose to wear, or I'd go out and around the city - to places where people express their sense of what they think looks good. So, I get a sense of that, and then I try to interpret it.
I think everyone's kind of just whistling and pretending everything's OK. At the heart of this is the cover-up, and the misleading the country to war in Iraq. And quite honestly, I don't think Republicans actually did a particularly good or sophisticated job, but I think everybody wanted to be fooled. I remember being on the Bill Maher show talking about how ridiculous this was before the invasion. And, you know, a lot of people, even Democrats, had been so easily thrown into this fear frenzy that they lost common sense.
It is important to stop being critical and judging ideas as good or bad because I think if somebody doesn't have a lot of experience you worry their idea is going to be bad, it's not going to be good enough, if not going to be active enough and so you can start to think critically about people's suggestions or what they bring to it but once you get out of that and think whatever they come up with is the right thing right now and so I'm just going to build on it just makes everything so much easier and better.
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