A Quote by Kurt Vile
I'll know when a song's really awesome, for sure, and I get super stoked and I'm so high when I'm hearing it back, but then you sit with the record forever. You're mixing it and you can really just over-think everything. I'll go back and forth all the time.
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I'll know when a song's really awesome, for sure, and I get super stoked, and I'm so high when I'm hearing it back, but then you sit with the record forever. You're mixing it, and you can really just over-think everything.
It's not just back-to-back Super Bowls - it's back-to-back Super Bowls in his first three years, it's back-to-back Super Bowls climbing over the backs of Tom Brady and Peyton Manning... If Russell Wilson wins back-to-back Super Bowls, there is no doubt it puts him amongst the top.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
When something is great, then you can sit back after the work is done and relax, but during the process I definitely am making sure everything is really, really good.
To be able to sit back and enjoy the game, sit back and watch guys that you know played and you might have worked with it or you personally know, it's cool; it's awesome to sit back and say I know that guy because you're more of a fan of that game and that person.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
For whatever reason, all my friends are musical wizards and in great bands, but yeah, it really skipped over me. It's one art form that I can just sit back and appreciate and no have thoughts on. If I watch a movie, I always think, 'Oh, I'd have done this.' But with music, I can just sit back and think, 'All right, this is great!'
With any kind of physical test, I don't know what it is, I always seem to get competitive. Remember when you were in school and they'd do those hearing tests? And you'd really be listening hard, you know? I wanted to do unbelievable on the hearing test. I wanted them to come over to me after and go, 'We think you may have something close to super-hearing. What you heard was a cotton ball touching a piece of felt. We're sending the results to Washington, we'd like you to meet the President.'
I'm not really sure if I will go back to school. I'm getting old! So I'm not really sure if I have time to go back to school to be a dentist. But hopefully I'll be an Olympic gold medalist.
I would give anything if it went back to analog age. I mean, music was so real, and you had to sing everything on a record; you had to play everything on a record. There was no cut-and-paste - you couldn't get the chorus right one time and then paste it every other time; you really had to be good at what you did.
Well, there's one guy, when he runs the ball his head's really, really still - doesn't move whatsoever but then when it's a pass he's always, like how he's looking is like his head is almost going back and forth and back and forth because he needs to know who to block.
Woody Weatherman showed me two beats, the "do do dat, do do dat" rock beat and the "ooh at ooh at ooh at" punk beat and other than that I was pretty limited. I had just gotten a drum kit for Christmas, which I was stoked about so I was ready to go. Back then, the prerequisite for playing punk rock drums wasn't very high, it was really pretty generic as I'm sure you can imagine.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.
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