A Quote by Kurt Vile
I guess some people like to just stick with their sound, like Weezer or something, but I think I just try to keep it as close to my real life, in a Neil Young sort of way, as possible.
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I just close my eyes and act like I'm a 3-year-old. I try to get as close to a childlike level as possible because we were all artists back then. So you just close your eyes and think back to when you were as young as you can remember and had the least barriers to your creativity.
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
Yeah, like, when I look back on my life, I just remember back what happened in '74, or something. It seems like only the real good stuff comes to mind. I don't think of all the tragedies and all the funerals. That just doesn't come to mind at all. I guess I'm really blessed that way.
Other people like Neil Young and Dennis Hopper, those are just really close knit family friends.
I don't care what people think of me, unless they think I'm mean or something, but I don't care if they think I'm like someone else because I know I'm not - I'm a total weirdo. I'm not selling a dream; I'm not selling fame like it is some sort of fantastic thing. I'm just trying to sell music and get on with my real life.
I always try to find something or some way of delivering the lines or playing the scene that you wouldn't normally expect. And I know that sounds weird, because it's not like I surprise people with shocking performances. But in an interesting way... Just being real and as interesting as possible. Usually, that stuff is the spine of the show. It's the humor that you need in a scene, in an intense moment or something.
Honestly, I don't try to guess at what most people want. I don't think I'd guess right, and I just think that that's not a good recipe for storytelling. I try to write what I like, what I think my friends would like.
I think there are some people who have taken on fame in extraordinary ways, like Madonna, David Bowie, and Michael Jackson. There are other people who have taken it on in a completely different way, like Prince - who is just as famous and has achieved just as much - but is still unbelievably mysterious, which I guess Bowie managed to hold as well. There are different ways of dealing with it, and for some people I think it becomes an art form of how you put yourself out there, and for other people it's literally a way of life, it's who you are, you act like a celebrity.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I could do James Taylor, Neil Young, and sound just like them.
The cliché of that sort of wasted, renegade, drugged-out musician of the '70s is kind of dead and gone now. And I suppose that a lot of people still keep relying on that, or some kind of image to perpetuate something that they think they're supposed to sound like. But that kind of takes you away from real inspiration and, you know, real artistic discovery of the individual.
I don't try to do anything. I think the moment that I'm like, "Oh, I have to be this way or that way" is the moment that I become sad, or maybe an asshole. So I just try to be myself and put out what is most natural. But I think I am - I mean, I've seen a lot, been through a lot. But something remains sort of naïve within me. And I just try to nurture that.
Just imagine becoming the way you used to be as a very young child, before you understood the meaning of any word, before opinions took over your mind. The real you is loving, joyful, and free. The real you is just like a flower, just like the wind, just like the ocean, just like the sun.
When I go to the cinema, I want to have a cinematic experience. Some people ignore the sound and you end up seeing something you might see on television and it doesn't explore the form. Sound is the other picture. When you show people a rough cut without the sound mix they are often really surprised. Sound creates a completely new world. With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue I think expositional dialogue is quite crass and not like real life.
I think that life is a bit like a biscuit that you only get one bite at. The best thing is to just go for it. If you feel an inclination for something, just go for it. Life is too short to muck about doubting yourself. It's better to try and just shore yourself up with some sort of confidence. And get on with it!
I don't feel like a dream girl, but I think it's really nice. I guess a part of me wishes I got that sort of attention in my real life. Because in my real life, I'm this weird, dorky girl who just hangs out with her dog.
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