A Quote by Kurt Vile

After I play a gig, I'm like a different person: I have superhuman strength. — © Kurt Vile
After I play a gig, I'm like a different person: I have superhuman strength.
I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'
When you play a gig in Poland or Australia, or you play a gig in Toledo, they all clap at the same parts of the show. They're clapping for the solos in the exact same way.
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
New York musicians rarely have the time for idle chat and conversation after a gig. Despite popular assumption of our scintillating after-hours, that illusion is overtaken by the constant hustle to juggle a part-time or full-time job, a myriad of errands, a second or third gig of the day, and perhaps a child or two somewhere.
The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'
We like movies and books that give us this emotionally moving experience, where you feel like a slightly different person, and you see the world a little different after you finish. It lets you see your own life in a different way, and it actually makes you feel really good.
You can play a gig as a band and not know that they hated you; with standup, after every line, you know.
Just because you can build a machine that is better than a person at something doesn't mean that it is going to have the ability to learn new domains or connect different types of information or context to do superhuman things. This is critically important to appreciate.
I swim with all my strength. No superhuman surge, or pony heroics; it's just me at my most desperate.
I bring a lot of energy and passion to what I do. Plus, I've had some weird feats of superhuman strength!
I don't tend to set out on huge world domination goals or have anything in mind. I just like to play. I like to gig a lot; I like to write music.
The shaman has access to a superhuman dimension and a superhuman condition, and by being able to do that he affirms the potential for transcendence in all people. He is an exemplar, if you will.
I always perform live. I've even received a cortisone injection when I was losing my voice before a big gig so I could fulfill my obligation to the promoter. I felt it the days following after the gig in my throat, but it was nice to know I didn't let anyone down. The show must go on.
The mask can be a limitation, but you just deal with it. You do get superhuman strength and pumpkin bombs and all this other stuff to express yourself with.'
I just felt like actors - I watched a lot of 'SNL,' and those guys just seemed like they were superheroes - that that wasn't a reality for anyone other than people with superhuman strength. So, I mean, I acted a little bit in high school, but the idea of doing it professionally was just never really an option.
I rather like finding out instantly whether you've been successful or not. It's a cliche, really, but the fact is that every gig is different: it's a live event, and you're with a different group of individuals every night.
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