A Quote by Kurt Vile

When I first got the record deal, I thought it felt like I won the lottery. But I always worked hard at it. — © Kurt Vile
When I first got the record deal, I thought it felt like I won the lottery. But I always worked hard at it.
When I first got my record deal, I was like, 'I just want to sing,' and I never put much thought into what really goes into a record. But as I got older, I developed a passion for writing.
I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.
I worked for everything that I got and I worked long and hard before I got to this point so when I got it I thought I deserve it.
Even before I got the record deal, I never really used singing to get girls. I always felt weird about that.
I'd always thought I was pretty healthy and I always thought I had worked hard in the gym and it turns out that what I thought was hard, in Catwoman's world, is actually light to moderate.
Even though I never really had to pound the pavement as an actor, I always worked really hard. But, at the same time, I always felt like people thought that I didn't have to struggle even though I was struggling.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
I worked hard at my four-year M.A., but got a 2.1. That was a big disappointment, as I wanted to write about history and thought I needed a First.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
I always said, if I got a record deal, I'd want to record the best songs I could, whether I wrote them or not.
I always had this idea that, 'Sure, I wished I was a boy and felt more like a boy and all of that.' But I wasn't, so I would deal with it. And I for some reason thought there were other lesbians that felt that way and that was just part of that community.
I was forced to be an artist and a CEO from the beginning, so I was forced to be like a businessman because when I was trying to get a record deal, it was so hard to get a record deal on my own that it was either give up or create my own company.
I don't actually have a lot of discipline. I've worked hard at music. But I feel like you know, I felt like kind of natural at it. I always had a knack for it.
My first record deal was an independent record deal back in 1995 or early 1996.
Back in college, when I got kicked out of school, I was still in school, I'd just written the song that got me my record deal. If I hadn't gotten kicked out of school I wouldn't be where I am now. Three months after that, I got my record deal and the rest is history.
'Epicloud' is the first record that I felt confident enough to include all those things on one record, so it goes between melodic hard rock to schizophrenic heavy metal to country to really ambient stuff, and it's all in one place.
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