A Quote by Kurt Vile
Critics always get the lyrics wrong in reviews, which is amusing - especially when they use them against you.
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I think as you get older, you realize there's always going to be critics. Critics are going to win every time because they can change their critique based on the stats and their own personal feelings. It's less about proving people wrong, the critics wrong, and it's more about challenging myself to keep this level up.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
I know that a ridiculous number of classic serials have been commissioned, and that reviews show a reaction against them. The critics seem fed up.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
I am humbled at the fact that I always get great support and reviews from my critics, but it's the film that requires to be good enough for it to work.
If you make a good show, you tend to get good reviews. I don't believe it is as arbitrary as some people tend to think, which artists do to protect themselves against bad reviews.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
Technologies evolve in the strangest ways. Computers were created to calculate ballistics equations, and now we use them to create amusing illusions. Creating amusing illusions is a big business if you play it right.
The Holocaust never quite leaves Israeli Jews alone. Arabs use it against them and they use it against Arabs. Jews use it against other Jews. Even the president of the United States, it seems, can use it against the prime minister of Israel.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
I always had a trunk full of good reviews. I'd get magnificent reviews, and I'd be standing out on the unemployment line!
In fact, many rock critics look askance at explicitly political lyrics, which I think is pretty stupid, without denying that some political lyrics are also pretty stupid.
Critics search for ages for the wrong word, which, to give them credit, they eventually find.
First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
There are television critics, movie critics, and theater critics too who I like and who I follow and I get genuinely bummed when they don't like something that I've written because I usually agree with them.
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