A Quote by Kurt Vonnegut
I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.
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It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
The artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling "contemporary artists".
There is no possibility whatsoever of reconciling science and theology, at least in Christendom. Either Jesus arose from the dead or He didn't. If he did, then Christianity becomes plausible; if He did not, then it is sheer nonsense. I defy any genuine scientists to say that he believes in the Resurrection, or indeed in any other cardinal dogma of the Christian system.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
I know artists whose medium is life itself, and who express the inexpressible without brush, pencil, chisel or guitar. They neither paint nor dance. Their medium is Being. Whatever their hand touches has increased life.... They are the artists of being alive.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
I was a VJ to begin with, so I had a good year of interviewing artists, but then I would spend half my time being interviewed about half my projects, and the other time, other people. It was good because it made me a better interviewer because I knew what people didn't like being asked, and what they enjoy being asked, so I am super used to it.
People often think of artists and scientists as being diametrically opposed, but we both believe something is possible. We have a hypothesis and then we do everything to make it possible, but we don't know if it's possible! All the scientists I've worked with have a natural, easy fit with me. The solutions they find are truly creative. All scientists, in some way, are artists.
That was the greatest trick in music that people ever pulled off, to convince artists that you can't be an artist and make money. I think the people that were making the millions said that. It was almost shameful, especially in rock n' roll.
Rock and roll was a good way to, to first recognize the, the confluence of white artists with it but also to kind of pretty it up a little bit, clean it up a little bit, make it more acceptable to, to people.
There's a lot of variety of musicians in Korea. I cannot say they are the best in the world, but I can say that Korean artists are really dynamic artists, so I am going to show that from now on.
You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.
When you're young and starting out, a lot of artists think they know exactly who they are. There are others who come out in someone else's skin. They learn to take it off bit-by-bit and work out the core of what they're trying to say.
So it's a majorly important thing for young artists, as well as older artists like myself, to know that not only do we have the right to say no, but if we don't say no, we're gonna die.
To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don't appreciate the honesty in the music, the beat can be fly as hell but you'll never give an emcee props.
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