A Quote by Kurt Vonnegut
What passes for culture in my head is really a bunch of commercials.
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I'm not entangled in a bunch of lawsuits and a web that I can't get out of. I can hold my head up... a happily married man who has his head in order. There isn't a bunch of scandal in my life.
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
What passes for news is just morbid speculation or cartoonish screaming, followed by diaper commercials.
Even when I was really young, I hated doing commercials, because I would say, "That's not real acting." And it's not. It's embarrassing what they make little kids do in commercials.
I don't audition for "on-air" commercials - the ones where your face can be seen. I've auditioned for voiceover campaigns that I haven't gotten, but I don't really want to be seen in a commercial unless it's a product that I really love. Like, if Adidas asked me, I would do it in a heartbeat. But I did a Reebok commercial, one for Pep Boys, one for Dunkin' Donuts. I auditioned for commercials, but I really couldn't stomach it. It just didn't feel right.
A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.
Some Trumpsters asked me if it was really a problem that Trump doesn't have money to run commercials now. And I said he doesn't have the money, just doesn't have the money. "That's not good. He needs to be running commercials."
People come to this country because they view our culture as the best. It is a culture free of persecution, a culture free of oppressive government, and above all... a culture of really, really cool stuff.
In terms of how I understand the online world, it doesn't just work in the old-fashioned way. You're not going to see billboards and a bunch of commercials. It's all viral.
Spring passes and one remembers one's innocence. Summer passes and one remembers one's exuberance. Autumn passes and one remembers one's reverence. Winter passes and one remembers one's perseverance.
I've done a fair amount of commercials. I did a bunch of Champion spark plug ads and Levi's and Molson Beer. You wouldn't know it. But some of it's damn good.
I'm pretty comfortable on set. I've done a bunch of these commercials now. You get used to it. The people work with you how you want to be worked with. It's all positive vibes. It's a fun atmosphere, I enjoy it.
You read a bunch of books and you get a bunch of how-tos, and you take a bunch of classes and you learn a bunch of techniques. You set yourself goals and benchmarks. I think people have imported that into their experience of taking care of children.
Film is always a fight because you're the person, as the director, with a clear picture in your head of what you think is really exciting, and you're just trying to convince a bunch of other people to buy into that.
I think people really appreciate clever commercials, as do I. I think they're very entertaining. You just have to wade through all the garbage. That's one of the reasons people watch the Super Bowl. A lot of them watch it to see the commercials and not the actual game.
I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It wasn't the most common thing to become a filmmaker in Greece. I started by saying I was interested in marketing and have a proper job in advertising and commercials. Basically, I studied film to learn how to do marketing, and commercials. As I studied film I learned I'd be interested in making films instead of commercials.
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