A Quote by Kurt Vonnegut

What's the point of being alive," she said, "if you're not going to communicate? — © Kurt Vonnegut
What's the point of being alive," she said, "if you're not going to communicate?
It's the same thing,' I told her. 'What is?' 'Being afraid and being alive.' 'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
Either I'm alive or I'm dying, she said to Daniel. Please don't feel you can't tell me. Which is it? Which does it feel like? said Daniel. He patted her hand. You're not dead yet. You're a lot more alive than many people. This isn't good enough for Rennie. She wants something definite, the real truth, one way or the other. Then she will know what she should do next. It's this suspension, hanging in a void, this half-life she can't bear. She can't bear not knowing. She doesn't want to know.
Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
You aren't a hero and I'm not beautiful and we probably won't live happily ever after " she said. "But we're alive and together and we're going to be all right.
Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
Rosa Parks was an unlikely person, but she became an instrument of the people's will in that community who were tired. They said she was tired from working and perhaps she was - but she herself said later that she was spiritually tired and weary of being humiliated by being asked to move back so that a white person could occupy her seat.
The only urgency that I ever had was when my mom was alive. She died last year in September of 2006. She was my number one fan and she always said I'd love to see you go into the Hall of Fame. That was the only urgency that I ever had that I wish if I was going to go into the Hall of Fame that certainly it would've happen when she was around, but it didn't and now that she's passed.
I was on the tube just before Christmas. and this girl turned round to me and said, 'Are you Kate Winslet?'. And I said, 'Well, yes. I am actually'. And she said, 'And you're getting the tube?' And I said, 'Yes'. And she said, 'Don't you have a big car that drives you around?' And I said, 'No'. And she was absolutely stunned that I wasn't being driven round in some flash car all the time. It was ludicrous.
If you're going to break up, it reaches a point where whatever is happening is not working and it all comes to a head. I think that's a tough realization and it's hard to communicate sometimes. You just have to think about your happiness and the other person's happiness, and communicate really honestly.
I said, "Do you think she thinks it's me?" Jas said, "Well, it's pretty conclusive, isn't it? She said 'the most sniveling idiot I have ever come across.'" I said, "I didn't know that YOU have been seeing Masimo. Tom the Slug King is going to be very upset.
After the last screening [of "Selling Isobel" ] an 18-year-old girl came up to me and said, "Oh my God, I'm so naïve." I said, "No, you're not, you're just young." And she's so grateful for having seen it, because she's an actress and from now on she's going to take a friend with her to auditions and let her mom know exactly where she's going. That's a job done right there.
I have a very simple point of view, which is, I'm going to be alive for some amount of time; I don't know how long that's going to be. Then I'm going to be dead for a really, really long time. Right? You need to squeeze everything you can out of this time when you're alive.
My mother ran the household. In grade school, I came home crying one day. She said, 'What's wrong?' and I said, 'This kid said he was going to jump on me.' She grabbed me and slammed me on the floor. 'If you don't go out there and stand up for yourself, it's going to be me and you.' I didn't want that to happen.
I want to reach people and express myself. You have to put up with the risk of being misunderstood if you are going to try to communicate. You have to put up with people projecting their own ideas, attitudes, misunderstanding you. But it’s worth being a public fool if that’s all you can be in order to communicate yourself.
Where my earlier works, what sets them apart is that I didn't need approval and I didn't need permission from anyone because I wasn't being paid. So, to me, I was allowed the freedom, the total freedom to just communicate how I wanted to communicate and my whole level of perspective was to communicate to the barrios, communicate to the gangs and communicate to the people that frequent the thoroughfares that were populated by these gangs and by this life style.
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