A Quote by Kurt Vonnegut

Much of the blame is the malarkey that artists have created to glorify war, which as we all know, is nonsense, and a good deal worse than that — romantic pictures of battle, and of the dead and men in uniform and all that. And I did not want to have that story told again.
What’s the difference? Fill a hundred pits with dead Northmen, congratulations, have a parade! Kill one man in the same uniform as you? A crime. A murder. Worse than despicable. Are we not all men? All blood and bone and dreams?
I want to play a man in uniform. I've got tremendous respect for that life that they lead. We know so little about it. It's never discussed or talked about, when they come back from battle. I want to examine the choices that have to be made in those terrible times. [...] I'll get to wear a uniform.
We have often asserted, and we affirm it yet again, that no fact in history is better attested than the resurrection of Jesus Christ from the dead. It must not be denied, by any who are willing to pay the slightest respect to the testimony of their fellow-men, that Jesus, who died upon the cross, and was buried in the tomb of Joseph of Arimathea, did literally rise again from the dead.
Only it’s just the same. In fact, do you know, because of all that pressure, and worry, and fear, it’s worse. There aren’t many men who think clearest when the stakes are highest. So people are even stupider in a war than the rest of the time. Thinking about how they’ll dodge the blame, or grab the glory, or save their skins, rather than about what will actually work There’s no job that forgives stupidity more than soldiering. No job that encourages it more.
Someone said, 'The dead writers are remote from us because we know so much more than they did.' Precisely, and they are that which we know.
Man was created to glorify God. Now, that may encompass other things which God has planned for each man, but essentially, man was created to glorify God.
He doesn't know how to be warmer. I can't blame him. My dad had to deal with more stuff than I ever did.
In a time of war the nation is always of one mind, eager to hear something good of themselves and ill of the enemy. At this time the task of the news-writer is easy; they have nothing to do but to tell that a battle is expected, and afterwards that a battle has been fought, in which we and our friends, whether conquering or conquered, did all, and our enemies did nothing.
I do not plan in any way to whitewash my sin. I do not call it a mistake, a mendacity; I call it sin. I would much rather, if possible - and in my estimation it would not be possible - to make it worse than less than it actually is. I have no one but myself to blame. I do not lay the fault or the blame of the charge at anyone else's feet. For no one is to blame but I take the responsibility. I take the blame. I take the fault.
For as to the dispersing of Books, that Circumstance does perhaps as much harm as good: Since Nonsense flies with greater Celerity, and makes greater Impression than Reason; though indeed no particular species of Nonsense is so durable. But the several Forms of Nonsense never cease succeeding one another; and Men are always under the Dominion of some one or other, though nothing was ever equal in Absurdity and Wickedness to our present Patriotism.
The biggest threat to your creativity is the fear that it's already been done, said, created. (So why bother?) Say it, do it, make it anyway - but tell YOUR story along the way. The story of how you came to know what you know. The story of what you want to know more of. The story of why you do what you do. The story of how you came to care. And that's how you create what's never been created before.
I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam.
Again, in Wag the Dog, war has to be declared by an act of congress. But if you go to war, you don't have to declare war. You're just at war and we did that, which is not legal.
I don't look at the work of my contemporaries very much; I tend to look at pictures by dead artists. It's much easier to get near their paintings.
Certainly inside my heart I know degrees of difference. But I can't blame any of these men who share a common fate with me. The big folly of this trial is that it lacks the two men who are to blame for anything which is criminal, namely Hitler and Himmler.
It is so much easier to deal with the dead than with the living. The dead are out of the way, merely characters from stories about the past, never again unreadable, no misunderstandings possible, the pain coming from them stable and manageable. nor do you have to explain yourself to them, to justify the fact of your life.
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