A Quote by Kurt Vonnegut

Honest to God, Bill, the way things are going, all I can think of is that I'm a character in a book by somebody who wants to write about somebody who suffers all the time. — © Kurt Vonnegut
Honest to God, Bill, the way things are going, all I can think of is that I'm a character in a book by somebody who wants to write about somebody who suffers all the time.
Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?
I think when somebody wants to work diligently, when somebody wants to take away the cobwebs and see where attention is needed, to fix things, there is obviously going to be a backlash from those who have, for years, gained from status quo.
If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.
This is not what anyone wants to hear, just like somebody who wants to lose weight doesn't want to hear 'diet and exercise,' but I think giving yourself time and abstaining from interaction is the only way to get over somebody.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
Kids tell me all the time, "I don't know how you do it, but that's us in the book." That's the kind of response you want, and I can't sacrifice it for the sake of somebody worried about censorship. You have to find a way to be truthful and honest.
Nobody wants somebody who wants them for what they have or the position their in- you want somebody who wants you for you. In case it all goes crazy and it all turns to dust. I want somebody who loves me in the welfare line, eating gumbo, eating fish,black eyed peas and rice. I want somebody that loves me. God wants you to love him, not his cars, not his house, not his blessing- love him.
Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
If somebody says that they want to write a book but do not know what to write about, they will never write a book.
I think everything is going to be devastatingly sad - when the phone rings, I know somebody in my family's been hurt, somebody's going to die. I'm sure a therapist would go, 'That's not a good way to live,' but every time it's not that bad thing, I'm so thankful and appreciative.
That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
Somebody said, "Well, you're going to write your definitive book about your life, biography." No, I'm not. I haven't done that. I wrote a book of letters which gives an insight into the real me as opposed to the public perceptions of me. But I'm convinced historians will figure out the things we got wrong and hopefully the things we got right.
We must not drift away from the humble works, because these are the works nobody will do. It is never too small. We are so small we look at things in a small way. But God, being Almighty, sees everything great. Therefore, even if you write a letter for a blind man or you just go sit and listen, or you take the mail for him, or you visit somebody or bring a flower to somebody-small things-or wash clothes for somebody, or clean the house. Very humble work, that is where you and I must be. For there are many people who can do big things. But there are very few people who will do the small things.
The way I write my shows, every character is its own organic thing. No character has a life at all until I see it played by somebody.
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