A Quote by Kurt Vonnegut
I think... it is somehow very useful, and maybe even essential, for a fine artist to have to somehow make his peace on the canvas with all the things he cannot do. That is what attracts us to serious paintings, I think: that shortfall, which we might call 'personality,' or maybe even 'pain.'
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The inner sort of consumer identity got the best of people. And everybody just wants things for free. And that's created this strange kind of cheapness to everything, where everything becomes throwaway. And people, I think, have started to undervalue things, maybe because there's too much, maybe because it's too easy to make, but I think mostly just because, somehow, that's the pattern that got set. And I think that's regrettable.
I think maybe when you live with someone who is really very ill for a long time, it somehow gives you more of a greedy appetite for life and maybe, yes, you are less measured in your behaviour than you would otherwise be.
Maybe we didn't even have a chance. The message of American Pop Art was so powerful and so optimistic. But it was also very limited, and that led us to believe that we could somehow distance ourselves from it and communicate a different intention.
I don't think all comedy should be mindless. Have something that's thoughtful. Maybe some things are tongue-in-cheek; maybe some things are very direct. I like that people have to think about things. That excites me. Because if you say certain things, it starts a dialogue. Even if you disagree, it's still a dialogue.
I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.
I never know what to call the subjects in my pictures because I'm uncomfortable with the word actor. I think maybe subjects might be more accurate - or maybe even more accurate is objects.
The healing power of music is vast. Music therapy is in its infancy in Western psychology. If we knew more, we'd be able to do amazing things, and maybe even make permanent changes in the brain's mysterious workings. With a simple song and four chords, you might be able to do something useful, even life-changing. With all the songs you know, you might be a virtual, veritable medicine chest for the right person.
I got hit in the face with a gun. I'm not very fragile at all. It makes me think maybe things would be easier if I were terribly frail and fragile somehow.
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I think people are screw-ups, and even our greatest heroes are deeply flawed human beings. People make bad decisions for all the wrong reasons, and then somehow they'll do the right thing, and then somehow they'll save somebody, or they'll be compassionate. Horrible people can do wonderful things, and wonderful people can do horrible things.
I can see why she feels left behind. Maybe even discarded. Is that why she refuses to accept my love and return it? Afraid that love doesn't last? Doesn't really exist? Afraid if her own father can withdraw his love (or at least the manifestation of his love), that maybe she somehow isn't worthy of the emotion?
Well, I think in trying to make life seem real enough that one is moved to do something about the more atrocious things. By going really far afield into a completely fake world, maybe there's a chance to make things resonant somehow - or in this case, truly terrifying. To make it as bad as the real stuff that's happening.
As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.
I don't think I could ever say that I will never play again, because even if I felt I could never play in top-class tournaments again because I don't have time for the preparation, after a while you might one day think: 'maybe, maybe, maybe... why not?'
The idea that things can be serious minded but must be somehow balkanized in the art-house ghetto is very upsetting because I think it limits not just the audience who was already going to see it, but those who might have had their tastes developed at a younger age.
One of my obsessions in life is that we have the tools to manufacture moments and real things, but it's overwhelming and there's a lot of fear and you think maybe you'll be rejected or embarrassed or somehow hurt emotionally. So we don't do the things we know we can do, but we can make people feel better and make people happier with compliments or just being positive and that sort of thing and sending it their way.
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