A Quote by Kurt Vonnegut
I consider anybody a twerp who hasn't read the greatest American short story, which is 'Occurrence at Owl Creek Bridge,' by Ambrose Bierce.
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I consider anybody a twerp who hasn't read 'Democracy in America' by Alexis de Tocqueville. There can never be a better book than that one on the strengths and vulnerabilities inherent in our form of government.
No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
I don't ever think about the utility of fiction. I don't believe in it or certainly don't require anybody to consider it. A novel or short story might be useful to a reader in all kinds of ways, many of which no writer would ever foresee, which is a good thing.
I did a story for the Geographic on Meriwether Lewis and William Clark, and Stephen Ambrose was the writer. He said, "I've got the easiest job in the world. I just have to re-tell the story of the greatest fishing, camping, hunting, canoeing trip of all time. You, Sam, have the hardest job, which is, pretend like nothing has happened in the last 200 years.
The government tells us we need flood control and comes to straighten the creek in our pasture. The engineer on the job tells us the creek is now able to carry off more flood water, but in the process we have lost our old willows where the owl hooted on a winter night and under which the cows switched flies in the noon shade. We lost the little marshy spot where our fringed gentians bloomed.
I loved 'A Tree Grows in Brooklyn.' I read it later as an adult, but I loved 'We Have Always Lived in a Castle.' And that brings you around to 'The Lottery.' You can't pretend - it's a lottery in which you draw a name and people die. That's a short story, but it's such an incredible short story.
On June 23, 1864, Ambrose Bierce was in command of a skirmish line of Union soldiers at Kennesaw Mountain in northern Georgia. He'd been a soldier for three years and, in that time, had been commended by his superiors for his efficiency and bravery during battle.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
I don't read books. I read 'On the Road' in high school, and that was awesome, so I guess that's my favorite book. 'To Kill a Mockingbird,' even though I didn't read it, that's the greatest story. SparkNotes came in when I was in high school, and that was the greatest invention.
The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.
I have this theory that people in Hollywood don't read. They read 'Vanity Fair' and then consider themselves terribly well read. I think I can basically write about anybody without getting caught.
I don't think we need a critic to negotiate with the audience. People say, "Who are you writing for?" I'm writing for myself but my audience is anybody who knows how to read. I think a story should engage anybody who knows how to read. And I hope that my stories do, maybe on a different level for more sophisticated readers than, say, a high school kid, but still a story has got to grab you. That's why we read it.
It is a good habit to thank always the bridge which takes you to the other side or to mention the name of the bridge or to take the photo of it or to repair it if you can! In short, do something good for those who do goodness for you!
Do three things each night before you go to bed: read a poem, read a short story, read an essay.
But the individual butterfly or earthquake remains just the unique existence which it is. We forget in explaining its occurrence that it is only the occurrence that is explained, not the thing itself.
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