A Quote by Kurt Vonnegut
In the era of big brains, life stories could end up any which way. Look at mine.
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The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.
I tell people too young to know that we came up during two of the most dogmatic times in recent history - the so-called hippie era and the punk era, both of which had a set of codes and rules that you had to look and dress and think a certain way, and for sure, to be of a certain age.
Although I'm up for working in any genre, I do love the passion and dynamic storytelling that horror stories can provide. Dealing with big questions and possibilities of all sorts of stories with life and death consequences is enthralling and exhilarating to me.
My stories are not Christianized at all. I don't even have any Christians in my stories. What they are, are stories about ordinary people going through extraordinary circumstances in which I'm exploring truth. How light overcomes darkness in a way that's unmistakable to anyone who has any kind of faith.
Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word.
The big studio era is from the coming of sound until 1950, until I came in ... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.
The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.
Stories are like spiders, with all they long legs, and stories are like spiderwebs, which man gets himself all tangled up in but which look pretty when you see them under a leaf in the morning dew, and in the elegant way that they connect to one another, each to each.
Texas is so big, and the place where I grew up was so little, and I was such a little thing growing up in the middle of it. I had two choices: I could either spend my life feeling insignificant, or I could look on the life I lived as a microcosm of the universe.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
The era of big government is over, but the era of big challenge is not. We need an era of big citizenship. There are many important people at this summit, but the most important title is 'citizen.' This is our republic. Let us keep it!
At Carnegie Hall the Preservation Hall Jazz Band showed how easily it could hop from era to era. It could work like a rhythm-and-blues horn section or a tightly arranged little big band if need be, but it could also switch back into the polyphonic glories of vintage New Orleans jazz, in which nearly every instrument seems to improvise around the tune at the same time.
The trouble with integers is that we have examined only the very small ones. Maybe all the exciting stuff happens at really big numbers, ones we can't even begin to think about in any very definite way. Our brains have evolved to get us out of the rain, find where the berries are, and keep us from getting killed. Our brains did not evolve to help us grasp really large numbers or to look at things in a hundred thousand dimensions.
If I could get their attention long enough, I felt they would see beneath the boobs and find the heart, and that they would see beneath the wig and find the brains. I think one big part of whatever appeal I possess is the fact that I look totally one way and that I am totally another. I look artificial, but I'm not.
My mother used to say when we were children, 'When a boy gets a stick in his hand, his brains run out the other end of it.' Power is a stick in the hand, and I have never heard of anybody who wielded a very big stick of power whose brains did not run out the other end. As a nation, our brains are running out the other end of our power right now.
I have a closet full of blazers and more striped shirts than any human could possibly wear. Somehow I think that I don't have striped shirts, and then I look at my closet and go, 'Oh, I have ten.' But then you always end up with your favourite striped shirt of the moment, and you don't end up wearing any of the other ones.
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