A Quote by Kurt Vonnegut

One of the main effects of war, after all, is that people are discouraged from being characters. — © Kurt Vonnegut
One of the main effects of war, after all, is that people are discouraged from being characters.
There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters.
The negative effects of combat were nightmares, and I'd get jumpy around certain noises and stuff, but you'd have that after a car accident or a bad divorce. Life's filled with trauma. You don't need to go to war to find it it's going to find you. We all deal with it, and the effects go away after awhile. At least they did for me.
The negative effects of combat were nightmares, and I'd get jumpy around certain noises and stuff, but you'd have that after a car accident or a bad divorce. Life's filled with trauma. You don't need to go to war to find it; it's going to find you. We all deal with it, and the effects go away after awhile. At least they did for me.
I find myself so easily discouraged. It is pathetic how easily I can be discouraged - easily discouraged by resistance, easily discouraged by opposition, easily discouraged by hardness of heart, easily discouraged by blindness.
I never get discouraged about anything. If I got discouraged I wouldn't keep giving out the script then the movie wouldn't be made. The biggest thing about movie industry is to never get discouraged because once you get discouraged you lose interest. You'll stop being successful in something you love doing. If you get discouraged in things and not even want to finish or do them, then why even bother starting?
Well, as a general remark, I would say that I was discouraged by the physical and economic conditions in continental Europe after the war.
Particularly when the war power is invoked to do things to the liberties of people, or to their property or economy that only indirectly affect conduct of the war and do not relate to the engagement of the war itself, the constitutional basis should be scrutinized with care. ... I would not be willing to hold that war powers may be indefinitely prolonged merely by keeping legally alive a state of war that had in fact ended. I cannot accept the argument that war powers last as long as the effects and consequences of war for if so they are permanent -- as permanent as the war debts.
I was discouraged about life, discouraged about people being blind, but I don't think I had a day that I ever questioned creativity. There has never been a day like that.
The real trick to these movies and making the big action sequences work - and I've forgotten this sometimes and screwed it up - the characters really have to be humanized. Because you can have the greatest special effects in the world, but if you don't care about the people in those effects, there's no impact.
When you say that after World War I there was a pandemic that killed more people than the war itself, most will say: "Wait, are you kidding? I know World War I, but there was no World War 1.5, was there?" But people were traveling around after the war, and that meant the force of infection was much higher. And the problem is that the rate of travel back then was dramatically less than what we have nowadays.
If they hear people running for - president... despite all the other problems that George W. Bush made after 9/11 when he basically said after going to a mosque in Washington, "We are not at war with Islam or Muslims. We are at war with violent extremism. We are at war with people who use their religion for purposes of power and oppression."
Make sure your characters are worth spending ten hours with. That’s how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you’ve created? Your characters can be loveable, or they can be evil, but they’d better be compelling. If not, your reader will be bored and leave.
War destroys. War obliterates. War is ruination. And war begets more war. After thousands of years of experience proving this, and reams of literature and countless works of art exposing it, when are people going to learn?
To be honest, I don't think of any of my characters as minor characters - they're all the main characters in a story that I don't necessarily get to tell.
When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested in telling the story and also very worried about the effects the story would have.
Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
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