A Quote by Kurt Vonnegut
They were lovebirds. They entertained each other endlessly with little gifts: sights worth seeing out the plane window, amusing or instructive bits from things they read, random recollections of times gone by. They were, I think, a flawless example of what Bokonon calls a duprass, which is a karass composed of only two persons.
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In the national team you only see each other two or three times a month, which makes it difficult to work on some of the most important aspects of the game. But if you've known each other for so many years, these things go a little more smoothly. It makes everything a little easier.
The hardest bits of my book to read were the easiest bits to write because they were the most immediate. Probably because I had never stopped thinking about them on some level. Those bits I was just channelling and those were the most exciting writing days. The bits I found harder were the bits that happen in between, you know, the rest of living. There were whole years, whole houses, that I just got rid of.
We began intercepting Japanese radio transmissions, which indicated the two forces were very close to each other. We found out later that we were moving in opposite directions and passed each other by 32 miles.
An ordinary mirror is silvered at the back but the window of the night train has darkness behind the glass. My face and the faces of other travellers were now mirrored on this darkness in a succession of stillnesses. Consider this, said the darkness: any motion at any speed is a succession of stillnesses; any section through an action will show just such a plane of stillness as this dark window in which your seeking face is mirrored. And in each plane of stillness is the moment of clarity that makes you responsible for what you do.
As I became aware that all things have unique spatial and temporal qualities which visually define and relate them, I began to perceive the things I was photographing not as objects but as events. Working to develop my skills of perceiving and symbolizing these event qualities, I discovered the principle of opposites. When, for example, I photographed the smooth, luminous body of a woman behind a dirty cobwebbed window, I found that the qualities of each event were enhanced and the universal forces which they manifested were more powerfully evoked.
A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.
And now good morrow to our waking souls, Which watch not one another out of fear; For love, all love of other sights controls, And makes one little room, an everywhere. Let sea-discoverers to new worlds have gone, Let maps to other, worlds on worlds have shown, Let us possess one world, each hath one, and is one.
I remember my parents yelling at each other and at me from an early age, and I remember a lot of things smashing. I try to look for the happy memories from the brief time my parents were married, and I can't really recall that. From the start things were messed up, and I just kept moving through the years and trying to pick out the little bits of evidence that would help me prove to myself that it wasn't my doing. But it took finding out somebody really does love me, who's not my parents or a relative, to really know that I was loveable.
The gift art gives us is that instead of seeing only our own world, we see into other times, which offers a window into other cultures and sensibilities.
My parents were very, very close; they pretty much grew up together. They were born in 1912. They were each other's only boyfriend and girlfriend. They were - to use a contemporary term I hate - co-dependent, and they had me very late. So they had their way of doing things, and they reinforced each other.
I think there were two criticisms you can make of Donald Trump`s involvement in the Health Care Bill. First of all, there were times when he wasn`t being helpful. Secondly, there were times when he was trying to be helpful. I`m not sure which one did more damage.
I think that's created a healthy environment. The comparisons to 'ER' were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.
Every day, I absorb countless data bits through emails, phone calls, and articles; process the data; and transmit back new bits through more emails, phone calls, and articles. I don't really know where I fit into the great scheme of things and how my bits of data connect with the bits produced by billions of other humans and computers.
I think there are only two times that I've ever ended up paying somebody their quote. Like what they actually were worth in the marketplace.
I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
The important thing was that we were being polite and not saying all the things that were making us unhappy, which was the only way we knew how to love each other.
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