A Quote by Kurt Vonnegut
With words alone, Gail Godwin has created an important piece of music about a love which death can only increase and deepen. Yes, and Frances Halsband's illustrations are a haunting countermelody.
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If asked to list my ten favorite American fiction writers, Gail Godwin would be among them. In this, her latest . . . she evokes in a short book the long married life of two artists. Evenings at Five is a strong tale of love-after-death.
Gail Godwin has written a book about the heaviest matters of loss, grief, and loneliness with a touch so light that I was as often deeply amused by it as I was deeply moved.
Through the air floated only important words, and Flajsman said to himself that love has but one true measure, and that is death. At the end of true love is death, and only the love that ends in death is love.
The warrior knows that the most important words in all languages are the small words. Yes. Love. God. They are words that are easy enough to say and which fill vast empty spaces.
Frances and Courtney, I'll be at your altar/
Please keep going Courtney, for Frances/
For her life, which will be so much happier without me/
I LOVE YOU, I LOVE YOU.
I read a lot of poetry, and I love what it does with language. I love music, too, and I think there's probably no coincidence there, that the rhythm of the words is almost as important as the words themselves, and when you can get the two working together, which usually takes me about 20 goes, I feel a huge satisfaction.
Words move, music moves Only in time; but that which is only living Can only die. Words, after speech, reach Into the silence. Only by the form, the pattern, Can words or music reach The stillness.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
I'll quit eating meat when you get a cow out here to beat me at a poetry slam. Only so many words rhyme with 'Mooo.' I mean, yes, we're supposed to be better stewards; yes, we're supposed to take care of the earth; yes, we're supposed to honor the sacrifices made by the animals; yes yes yes yes yes, but dammit, we're in charge, and you know why? It's because of these [holding out thumbs]...Maybe you think that carrots are less important than cows. I think they're equal, especially in a sauce.
I like to be alone and listen to music. Every match I play, I have a tune in my head over and over. It might only be a few words or a small piece of the tune, but it can drive you mad.
I love the way you can fall in love with a piece of literature; how words alone can get your heart doing that.
When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.
We carry about us the burden of what thousands of people have said and the memories of all our misfortunes. To abandon all that is to be alone, and the mind that is alone is not only innocent but young -- not in time or age, but young, innocent, alive at whatever age -- and only such a mind can see that which is truth and that which is not measurable by words.
What about me?” Frances asked. “The butler,” Harriet replied without even a second of hesitation. Frances’s mouth immediately opened to protest. “No, no,” Harriet said. “It’s the best role, I promise. You get to do everything.” “Except be a unicorn,” Daniel murmured. Frances tilted her head to the side with a resigned expression. “The next play,” Harriet finally gave in. “I shall find a way to include a unicorn in the one I’m working on right now.” Frances pumped both fists in the air. “Huzzah!
Phil Cousineau has created a fine companion book to accompany the important film he and Gary Rhine have made in defense of the religious traditions of Native Americans. [Native Americans] are recognized the world over as keepers of a vital piece of the Creator's original orders, and yet they are regarded as little more than squatters at home. This book features impressive interviews, beautiful illustrations, and gives a voice to the voiceless.
One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.
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