A Quote by Kurt Vonnegut

Somebody realized, hey, students are printing dummy ads and dummy news stories, why don't they really print something. So there was the Shortridge Daily Echo, and a hell of a lot of writers have come out of Shortridge on that account. The head writer of the I Love Lucy show, Madelyn Pugh, was a schoolmate of mine. Dan Wakefield. Writing was a perfectly reasonable thing to do.
This had been going on at Shortridge since 1906. My parents had also worked on the Shortridge Daily Echo. The way it came into being was that when they built Shortridge High School, they had a vocational department and they had a print shop.
Dummy, dummy, go out now and fill your tummy.
When I was a younger guy doing comedy, it was a big struggle. Promoters canceled me out of clubs left and right when I called somebody a dummy or a yo-yo. Then they realized I was different.
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
When there's not ten feet of snow on the ground I ride my bike down the streets of New York, and I literally hear two things out of car windows as cabs pass by me: They either yell, "Hey, dummy," or "Hey, Mayhem."
When there's not ten feet of snow on the ground, I ride my bike down the streets of New York, and I literally hear two things out of car windows as cabs pass by me: They either yell, 'Hey, dummy,' or 'Hey, Mayhem.'
I hope people have pulled something about me and said "Hey Mr. T loves his mother, hey Mr. T ain't no dummy, hey Mr. T never grabbed his crotch," when you're talking about Hip-Hop culture.
CPR dummy looked like him and had clearly been stabbed. Repeatedly. In the groin. He thought she might have used the dummy for target practice, and tried not to be offended. Key word: tried.
Even though I'm a writer and I love books and writing books is my favorite thing to do, when you teach, and you can go through the history of children's television, and I show certain things, the students' jaws just drop. You're never going to hit the hammer quite as hard in print.
Sometimes when I'm in the editing room and there's a new person there, like a music editor or a post person that I don't really know, I'm like, 'Oh, you shouldn't be in here. This is too personal - you can't watch this.' But then I'm like, hey dummy, you're about to show this to the whole world.
Ben Karlin is a friend of mine and was a writer on 'The Daily Show.' He's just put out a book and asked a bunch of writers from various disciplines to contribute. It was called 'Things I've Learned from Women Who've Dumped Me,' and of course I agreed, and then I actually had to sit down and write it. God, writing fiction is terrifying.
Somebody asked me the other day, 'What do you love the most about the show?' I said, 'The conversations that I have with my father in my head while I'm playing.' If I do something pretty good... I mean, I'm playing the gig and I'm saying in my head, 'Hey, check that one out, dad.'
Men and swords. My father said that if you put any able-bodied man, no matter how peaceful, into a room with a sword and a practice dummy and leave him alone, eventually the man would pick up the sword and try to stab the dummy. It is human nature.
News is what people don't want you to print. Everything thing else is ads.
If you're mostly a writer - if your point of departure is writing something - which for a writer/director is sort of where you start, you're really influenced by the writers you love one way or another.
In those days great teachers at Shortridge [High School] were celebrities. I would look up to them.
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