A Quote by Kurt Vonnegut
That is how you get to be a writer, incidentally: you feel somehow marginal, somehow slightly off-balance all the time.
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You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
I just feel lucky that I somehow escaped from the confines of the business class... I feel so fortunate that somehow I managed to break out of that world and get to do something that really had more meaning.
I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.
You're looking for ways always as the writer to bring readers into intimacy, you with them with you. Photos can sometimes do the opposite, create distance and perspective, but these somehow didn't. They somehow bring the reader closer.
I was always interested in being a writer. Yet, at the time, it somehow seemed more unfeasible to be a writer than a musician.
There are couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage. Of course it is true, that's exactly what a child does but it's not something to be feared, it's to be embraced.
I still feel that I can get better somehow. And I search for it all of the time.
The problem with being a film actress or a movie star is that people see you so huge that somehow you're visually massive or somehow you're in some removed space, which is a television or wherever. It somehow takes your humanity.
The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.
But the Fear (that sensation that all writers get of how the hell do words get from my puny little brain to into a book, and isn't magic somehow involved, and surely I'm not qualified to be involved in any part of that process, and I somehow managed that tomorrow, but you mean I have to do it this morning too, well how do I even start?) withdraws quite a bit when it's already light and lovely outside when I get to my desk. So I got right past that big moment today, and into the fun slide down towards the ending, yelling whee.
At Wimbledon if it is slightly wet you don't even play the match. At the French Open you need to just get on with it and somehow adjust.
Wish you could turn off the questions, turn off the voices, turn off all sound. Yearn to close out the ugliness, close out the filthiness, close out all light. Long to cast away yesterday, cast away memory, cast away all jeapordy. Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain. Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
It's a responsibility of the writer to get the reader out of the story somehow.
I feel like the closest that we get to fulfilling our calling is making a difference in other people's lives. I feel like it's different for everybody. Our purpose and our calling are different. We're all called to do different things. But some way, somehow, it has to be impacting other people. If not, what are you doing? How does it have an impact? How does it have an eternal impact? It has to be investing in other people, somehow making a difference in their lives. When we do that, I really believe that we'll fulfill why we're here and what we're supposed to do.
How do people who live utterly alone survive? There are so many things that won't open. I've got a few dresses in New York, and I can somehow get them on, but I can't get them off.
No one else writes like Gord Downie, so it's difficult to compare him. He can work in the abstract and still somehow be really specific. He lets parts of his consciousness in that most writers aren't able to do, myself included. I don't feel like I have that access to the surreal and the somehow beautifully meaningful non-sequitur - that fits perfectly. I can never figure that out, how he does that.
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