A Quote by Kurt Vonnegut
Actually, to be an effective person politically in this country, I think you have to be thirty or over, and also you have to be rich, well-placed, you have to be close to power. And I don't think that young people, because they look young, can do much, as I think they are counterproductive.
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So I think, as much as possible, I try to be open myself. I think that's probably something that falls with young people. It's not because I think young people are smarter, because I don't think they are. I think young people are quite actually stupid.
It's not about what you achieve, it's actually what you do for your industry and that's what I think is important. And when people look at me and they see my achievements with the restaurants do you know what I think? I think I did more than that. What I achieved was teaching young men and young women when they were young and inspiring them.
When you are young, you think it's going to be solved by love. But it never is. Being close -- as close as you can get -- to another person only makes clear that impassable distance between you.' If being in love only made people more lonely, why would everyone want it so much?' Because of the illusion. You fall in love, it's intoxicating, and for a little while you feel like you've actually become one with the other person. Merged souls and so on. You think you'll never be lonely again.
If you think childlike, you'll stay young. If you keep your energy going, and do everything with a little flair, you're gunna stay young. But most people do things without energy, and they atrophy their mind as well as their body. You have to think young, you have to laugh a lot, and you have to have good feelings for everyone in the world, because if you don't, it's going to come inside, your own poison, and it's over.
I think no country is going to be immune from the Arab awakening because the Arab awakening is driven by deep human longing for dignity, for justice and for freedom. I think that applies to young people in Saudi Arabia as much as to young people in Egypt, Tunisia, or Yemen, or Libya, or Syria. If I were in Saudi Arabia, I would be getting ahead of this and looking for ways to appreciate those aspirations and align my country with them.
Most people I know think that I'm crazy - but anybody who actually knew Billy Thorpe didn't think that. When I was a young kid growing up in Adelaide, he was a big pop star - a well-dressed, nice young guy seen on television every week. Mums liked him.
And look, we have young people in this country who are thirty years old living with their parents. We have young people in this country who don't have jobs, who graduate from college and are fed the lie of meritocracy. "You get a degree, you get a job." That's not happening. We have young people who have become the Zero Generation: zero hope, zero employment, zero possibilities. Do we really believe that this young generation is going to stand by and not take note of an economic system that - however it calls itself - has completely betrayed them?
I have this theory that people are actually really hungry for sonic space and understanding words, and I think that people are ready to look back and actually appreciate some of what came before. And then you really do have the entire movement that I'm just going to call feminist, because I am a feminist. I think the education of young girls and women about what came before has started and I think that the knowledge of Fanny is part of that.
I think young people are aware, more than when I was young. There is such an obsession in the media of young people, about their beauty. The magazines and the fashion, all these kinds of things. They know that, and they use this power.
I never think about age. I believe your age is totally how you feel. I've seen women of thirty-five who are old and people of seventy-five who are young. As long as I look after myself physically, mentally and emotionally, I'll stay young.
I guess people don't think that young girls or young artists have opinions, but I'm so glad that there's artists like Lorde and Raury and Kehlani because they're showing other people that young people can have an opinion and a voice and do really well with it. I'm glad I can be one of those people.
I really feel concerned about young people within our present culture. Our present culture, we have to change. Change is inevitable and I wasn't raised in our present culture but it has great pressure that as a young person I never had. Material pressure, social pressure, visual pressure, how you look, and I just try to appeal to young people to think for themselves, to be their own person, and to ask questions and also be very attentive to our planet and our environment.
Young women look at me and think, 'She's really confident. She has always had it figured out,' but actually, I really, really haven't. That has come over time as I became a young woman.
Young men especially - I don't know if young women feel much the same - but young men think they are immortal, automatically. They have no idea of time because they have so much energy and I was like that.
In a sense, by closing off the idea that young Muslims, and particularly young Muslim men, can be American heroes, it increases the chance that they'll try to be some other kind of hero. And that, I think, is entirely counterproductive.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
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