A Quote by Kurt Voss
Having been in front of the camera just a couple of times, I'm empathetic, because it's very disconcerting. Someone shuffles you off to the trailer; you sit there for eleven hours wondering what the hell's going on.
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I do love acting the two seconds that you are in front of the camera - and this is going to sound like I'm complaining, and I don't want that because I'm blessed to even have a job - but there is a lot of down-time when you're just sitting in your trailer.
You were there all day long, 12 hours a day. So there was none of this, 'I'm going back to my trailer, my trailer's bigger than your trailer,' that kind of Hollywood nonsense.
I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.
A lot of times, it's nice to open, because the heat's off you. You just go out and blast your set and say to whoever's going to finish, 'There you go.' Even though when you first start, people are drifting in, and that's kind of a bit disconcerting.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
I know what it means to sit in that chair for four or five hours. For me, it's actually thrilling because I get to know something that I'm not used to. The others do that every working day. It's a real commitment, not only in terms of acting in front of a camera, but just in order to get there.
Eleven times Jesus died on the cross, Eleven times falls down a body thrown upward, Eleven times also I abandon the logical flow of thought.
In the off season, you work out for two hours a day, and then you got all this other time off. I like doing other stuff. Football obviously isn't going to last a lifetime either, so it's always cool to get in front of a camera, do commercials, and do endorsements for products that you love.
Now everyone's main objective of taking photographs is to have a photograph for Twitter or Facebook. I find that troubling. If you have an opportunity to meet the Dalai Lama, don't work out your camera or iPhone issues. Sit and a listen to what the man is saying, because nine times out of 10, you're not going to look at that photo. You're not going to look at the video. As a photographer, I don't carry a camera. I have my iPhone, but I don't carry a camera. I want to live.
Che Mills is a great fighter, and a worthy opponent. Just because he hasn't been seen in front of the camera that many times doesn't mean he's not dangerous or a great martial artist.
I want to tell everybody that you won't hear me trying to pop bottles in the club and all that kind of stuff. It's just not me and I think as long as you stay within your element and your age bracket, sure you're going a couple of young folks and teens, but that's not who I'm focused on. I'm really not. I love whoever supports, but I'm just not going to try and go back there because times have changed. If you don't move with the times, you'll get left off. I'm trying to change with the times.
When someone shuts down on you... There were a couple of times of somebody that was just unpleasant, and you can't get them to loosen up. It's this horrible spiral when it's on camera, because you're trying to get them to like you, to trust you, to give you decent answers.
At the end of the day, having a partner in crime for life is so amazing and special, when it's real and genuine, that it's worth taking the risk. And you are going to get hurt; trust me - I know! I've been hurt a couple times - maybe more than a couple times. But you gotta pick yourself back up and give it another chance.
Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
You would never dream of going on to play a scene in front of an audience at least without having rehearsed it. But you do somehow in front of a camera.
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