It was never a marketing tool. People say that, but I dress this way for the same reasons I did when I first started doing it. It still comes from a serious place inside of me. I get up in the morning, and I think I just look better a certain way I do my makeup. I want to shine, I want to glitter. I'm not getting up thinking, "Oh, this'll get 'em." And I'm not doing it to make a statement. I'm just doing it to look like Dolly - the Dolly that I know and the Dolly that you know.
My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.
I hate click tracks. A lot of people I know like to use click tracks. Like my son is perfect on the click tracks. It makes me to edgy.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
He wrote himself into the role of Dolly. Dolly was hilariously funny and didn't know it. And that's what Thornton Wilder was. He was an adorable man.
I am amazed at the response of my being on the show. Everywhere I go, every young person points at me and says "Hi, Aunt Dolly." Or "Are you Aunt Dolly?" I love doing the show and I love Miley and Billy Ray [Cyrus]. I am proud to be her honorary Godmother.
'Shine On You Crazy Diamond' and 'Wish You Were Here' are standout tracks. 'Comfortably Numb' is another one. 'High Hopes' from 'The Division Bell' is one of my favorite all-time Pink Floyd tracks. 'The Great Gig in the Sky,' 'Echoes,' there's lot of them.
In Spanish, I record a lot of single-voice tracks, and in English, I 'stack' a lot of voices, so it's very different, and I think I got so used to recording in Spanish for six years that it was really refreshing and challenging to get in and record 'Double Vision' in English.
I used to do all my programming on a BBC computer. It was limited to 16 tracks, and you used the keyboard, not a mouse, to input, but I was using it so long, I got quite fast at it.
Dolly is a legend. Jessica is so beautiful. I take it as a big compliment when people put me beside them. About being compared to Dolly Parton & Jessica Simpson on the Idol red carpet.
The 'rock world' is a lot smaller than it used to be. It's doing a lot less things than it used to be. From Woodstock back in the day and Rage Against the Machine, no one sells millions of records anymore.
Motion-picture studio floors used to be all wooden and not smooth at all. This was difficult when moving a camera around on a dolly.
You are a 64-track recording - the tracks are always there, they're always with you. Sometimes the harsh tracks are cranked up and the rest are rolled down to zero. Other times the sweet tracks are high and the darkness is low. But it's all you.
I want to meet Denzel Washington when I go to the Oscars. Every man wants to see Halle Berry in person. And, you know, Dolly Parton... I wouldn't mind seeing Dolly Parton. She's from Tennessee, I'm from Tennessee.
My dog Jake ran up to Dolly Parton, and he put his nose up her skirt. We were like, 'Oh my God, don't do that.' I didn't know Dolly, and she said, 'Watch out there little doggie, don't start something you can't finish.'
My brother (Bruno Mars) is as smart as he is because a lot of things he's doing, creativity wise, our Dad used to do. Things my father used to do visually and musically. I see a lot of my father's influence in both of us.